REVIEW: We Only Said – “Boring Pools”

It’s hard to believe We Only Said operates nearly 4,100 miles outside Louisville, once- and always-home of post-rock icons Slint and Rodan. They just sound so downright Louisvillian. But so it goes for the reigning post-rock champions of Rennes, France. The group – whose second full-length, Boring Pools, was released by Les Disques Normal earlier…

REVIEW: PAK – “NYJPN”

Listening to PAK, composer Ron Anderson’s vehicle driving through ears a frenetic pastiche of jazz, funk and math-rock, can be transcendent. Writing about them, though, is a whole other matter. It’s a little like unraveling a knot, and a complicated one at that. In 2011, when Anderson and company released PAK’s Secret Curve on Tzadik,…

REVIEW: Portland Cello Project – “To E.S.”

Elliott Smith’s transubstantiation into a string ensemble is something wondrous (yet subtly shaded) to behold on Portland Cello Project’s LP tribute to the late artist, titled, simply, to e.s. Songs like “Pitseleh” and “Tomorrow, Tomorrow,” both arranged here by project founder Doug Jenkins, retain their charm, while “Shard,” a riveting original composition by Nancy Ives,…