Louisville-Born, Brooklyn-Based — PROFILE: David Grubbs (2006)

The classroom is empty, the students more than an hour away, but David Grubbs sits behind a console in an unassuming Brooklyn College radio laboratory, tinkering with faders and talking about the aesthetics of sound art as if one of his classes already was in session. In this performance space without an audience, he’s dressed…

REVIEW: Papa M – “Highway Songs”

At first blush, Papa M’s Highway Songs LP is a mess or, at best perhaps, unbalanced. But first blushes, like a journalist’s first drafts of history, are frequently pockmarked with misconceptions and quotes demanding corrections. Many watched as Papa M’s sole member and primary muse, the Slint and Tortoise alum David Pajo, struggled with god…

REVIEW: Jacob Duncan – “The Busker”

Pat Metheny and Charlie Haden’s pristine and bright-eyed collaboration on the 1997 Verve LP Beyond The Missouri Sky (Short Stories) is a decent point of departure for Jacob Duncan’s The Busker, a new solo outing by the Louisvillian alto saxophonist available digitally and on CD. Both recordings have a kind of organic richness, cool complexity…

REVIEW: Loscil – “Monument Builders”

A melancholy pall hangs over much of Loscil’s Monument Builders, a mysterious little nugget of an LP out since November on Kranky Records. Musician’s musician (and sole “band” member) Scott Morgan’s successor to 2014’s Sea Island sounds far grayer and more saturated in sadness than its predecessor and, for a miserable bastard like me, that’s…