Profile: Elephant Rifle

Let me call it early: anybody who’s anybody who considers themselves a devotee of punk rock will consider Hunk, the recently announced third full-length from Reno quartet Elephant Rifle, to be one of the most anticipated records of 2018. That’s on the record, Skippy. While Party Child, the group’s debut, was great, the band really…

Review: Rachel Grimes – “Eights”

Composer/pianist Rachel Grimes orchestrates a soundscape of wonder on “Eights,” a digital one-off also available on the compilation accompanying Oxford American’s new edition on Kentucky music. The song was released, alongside sheet music, earlier today on Bandcamp. The premise for the piano etude is simple and one does not have to wonder long if the…

Review: Dw. Dunphy/Jeff Elbel/Randy Kerkman/Dan Pavelich – “Everything Goes To Hell”

For a song titled “Everything Goes To Hell,” this is pretty gleaming. Assembling for the Co-Op an indie supergroup of sorts – bassist Jeff Elbel (Ping, Farewell to Juliet), guitarist Randy Kerkman (Yonderboy, Beki Hemingway) and keyboardist Dan Pavelich (The Bradburys, The Click Beetles) – the synthetic-minded singer-songwriter Dw. Dunphy presents a version of hell on this online-only single that’s, overall, pretty…

Review: Tom Waits – “Alice”/”Blood Money” (Remastered)

Tom Waits never has sounded better, at least in terms of fidelity, than he does on the new, re-mastered versions of Alice and Blood Money – which were released, to much anticipation, on ANTI- Records. There are good reasons for these revelations, of course, and some of them are so obvious they don’t even need…

Review: Little Mazarn – S/T

I’ve always considered Curtis Eller to be the prototypical underground banjo player. He crafts song-stories about history (or more appropriately, history through a warped contemporary lens) with an Americana flare and P.J. Barnum hucksterism; his banjo, as vibrant as a ringing electric guitar, drives the compositions front and center. Little Mazarn, whose self-titled outing will…