Review: Mudhoney – “Digital Garbage”

Mudhoney, which is now running strong past its 30th year of existence, has never really been that topical. (I mean, c’mon, “Touch Me, I’m Sick” hardly had policy implications.) Leave it to frontman Mark Arm, though, to shake up the established order of things. On the Pacific Northwest band’s new LP  — Digital Garbage, out yesterday…

Review: Low – “Double Negative”

Every time I listen to Double Negative — the unsettling and ambitious new record from Low, out recently via Sub Pop – I am reminded of the video for the record’s first single, “Quorum.” Edited into a kind of disorienting, rapid-edit triptych, the black-and-white film juxtaposes blurred photos of the band members, at once pensive…

Profile: Microwaves (2018)

Microwaves is at a crossroads. The Pittsburgh trio, which has been soldering together noise-rock, no wave and art-metal for 18 years now, has a new record out September 28 – a barn-burner titled, Via Weightlessness on Three One G, a label run by The Locust’s Justin Pearson. And while the band has been down this road before…

Profile: Marc Ribot (2018)

The separation of immigrant children from their parents. The trashing of the Paris Agreement on climate change. The white nationalism. The Mueller investigation. The Tweets. The wall. There’s been no shortage of reasons to hate Donald Trump and his lie-filled House of Whiteness. Marc Ribot’s heard more than a few of them. But what prompted…

Review: Iron & Wine – “Weed Garden”

I don’t know what to make of Sam Beam’s latest outing, an Iron & Wine EP titled, cleverly if mockingly, Weed Garden. (It was released a few days ago on multiple formats by Sub Pop.) In some respects, it’s very easy to hear how much of this material was coaxed into existence around the same…

Review: The Zells – “Failure To Slide”

The Zells, the newly rechristened Pittsburgh garage-rock quintet f.k.a. Denzell, has a new record out this Friday via the fine folks at Crafted Sounds and, man, is it a doozy. In terms of the method and initiation of the band’s 13-track full-length debut, Failure To Slide calls to mind Pavement, for sure, with all of…

Review: Noemienours – “As A Beare Doth Her Whelps”

The German guitar-composer Noemie Dal on Sept. 10 will release her third outing, a Bob Weston-mastered LP and digital release via Bandcamp, under the sobriquet Noemienours, titled As A Beare Doth Her Whelps. It’s a continuation, in some form, of the ursus-themed records she’s been releasing for the past two or three years, and the…

Review: Exhalants – S/T

To call Austin’s Exhalants a bombastic noise-rock trio is to call Everest a molehill. These guys, who released an epic, self-titled full-length via Self Sabotage Aug. 24, write with acid and fire, and burn with the desire to spread their gospel. It’s might stuff. Exhalants don’t craft hooks, but hurl explosions. Their impact on your…