Review: Warm Red – “Big Tiger” b/w “S.A.M.”

Warm Red has that special something about it. The Atlanta quartet, which is making its recording debut today on Chunklet with the “Big Tiger”/”S.A.M.” single, is a descendant of the mighty noise-rock mantle, that’s for sure. It’s got the skittery guitar and throbbing bass/drums down. But there’s something about the band’s delivery that’s deserving of…

Review: The Lampshades – “Forget Me Not” b/w “Sadly True”

As posthumous releases go, the new 7-inch from Pittsburgh-by-way-of-Altoona’s The Lampshades, out today, is the exception to the rule in this fatalistic sub-genre: an afterthought of sorts that is actually a pretty worthy addition to the band’s considerable canon. The trio always has injected its best work with the spirit of Brian Wilson and the…

Review: Meeting With Hans – “Genius Loci”

Multi-instrumentalist Tomas Svoboda is clearly out to toy with listeners’ expectations of recording fidelity. The Czech musician’s third LP as Meeting With Hans – titled Genius Loci, available now on Bandcamp as a digital-only recording – is deceptively lo-fi, offering tracks that cut between occasionally gray recordings of Mogwai-tinged, post-rock anthems and unusually crisp, even…

Profile: Beach Blanket Blowout (2019)

Any musician’s urge to worship at the altar of Dick Dale has to start somewhere. For Kevin Koch, drummer for Los Vampiros Amarillos, the gateway to surf and garage rock was guitarist James Calvin Wilsey, who provided the crystalline six-string ambience for Chris Isaak’s Wicked Game in 1989. For Dan Spagnolo, guitarist for The Spectres,…

Profile: Urns (2019)

Pittsburgh’s Urns descends from the dirgy, often glacially paced punk-metal of Melvins, Earth, Sunn O))) and other icons whose guitar riffs are sludgy and molasses-thick. But the quartet is releasing its self-titled debut this week, and frontman and Urns founder Mike Myzak is hesitant to break down the minutia of his band’s sound into careful…

Review: Picastro – “Exit”

Liz Hysen’s reliably dissonant acoustic guitar might ground her as Picastro, but her work on six strings, however interesting it might be, is only the sparest introduction to this highly collaborative project. On Exit – Picastro’s new LP and its first in five years, out now via Sleeping Giant Glossolalia – Hysen’s guitar work remains…