Review: Slund – “Slundcore Superhero”

50 words on the new Slund LP, minus those. Slovenia’s Slund can slam grindcore with the best of them but its new LP, Slundcore Superhero, out yesterday, is a generic blur. Guys provide great titles – “Insulting You Disney Style,” natch.  When only one track breaks 20 seconds, meltdowns (there’s 20) get a little monotonous….

Review: Eric Bachmann – “Misinformation Age”

Only Eric Bachmann could make rage over the Trump era’s alienating 24-hour-a-day mind-fuck seem elegiac. His new, one-off single, “Misinformation Age,” out yesterday via Merge for $1 on Bandcamp and also available on streaming platforms, is a bruising missive on the information saturation of the 2010s. And it’s all set to glitchy percussion and overpoweringly…

Concert Review: Melvins (2019)

Melvins know no years. They’re just too fucking good to be bothered with them. So, seeing the trio, now nearing its fifth (!) decade in existence, destroy a stage live is a bit like hovering above the historiography of it all. All content, no context. The trio – Buzz Osborne, Dale Crover, and Steven McDonald…

Profile: Rachel Grimes (2019)

It starts, appropriately, by rolling on the seams of piano keys. “There is something/ got ahold of me/ and it won’t let go,” the singer coos, among a forest trail of piano and upright bass that leads to a clearing of strings. The whole thing then expands orchestrally, with the thrust of the musical diaphragm…

Andre Costello and The Cool Minors – “Brighter Than Before”

Fifty words on Andre Costello and The Cool Minors new one-song shot. Minus those, wise guy. Catchy indie pop, out Oct. 2, with all the right strut and inflection. Some of these bridges will knock you off your feet. “I/ know the way to your light.” Great textures, rousing yet contained close. Costello’s voice is…

Review: Horehound – “Weight” EP

Fifty words on Weight. Well, not counting those. Pittsburgh champions of dirgy doom-metal follow 2018’s Holocene with a two-song gem. (Sorry, vinyl’s sold out.) Slow and entropic, with serious shout-outs to early Sabbath. The chorus of “Unbind,” the “A side,” could melt Maynard’s face. B-side, with some icy vocals from Shy Kennedy, flirts with Kyuss-style…

Review: DANA – “Glowing Auras & Black Money”

The cover for Glowing Auras & Black Money, the sophomore outing from Ohio art-punk/mostly punk outfit DANA, is all wrong. The image, which features a glossy illustration of a woman’s hand puppeteering the planet Earth, is all too prim and proper and its message is plain and clear as day – which is nothing like…

Concert Review: Thom Yorke (2019)

There’s something, I don’t know, almost phosphorescent about Thom Yorke, the iconic Radiohead frontman who brought his new solo tour right to the doorstep of a sold-out Pittsburgh crowd Sunday night. That sense of light with the absence of flame is not something organic, that’s for sure. Yorke, sporting simple, dark clothing Sunday, his hair…

Review: Tender Mercy – “War Within”

Under the moniker Tender Mercy, musician Mark Kramer creates eerie and unnerving skeletons of songs out of little more than a few carefully plucked notes on guitar, some semi-whispered vocals and valleys upon tender valleys of reverb. He has a new record, title: War Within, out this month on Louisville label Obsolete Staircases and it…