Profile: Mark Deutrom (2018)

Every 10 years, Mark Deutrom goes through some fresh hell. Take 1998, a couple of hells ago. Deutrom was recording his first solo record – the excellent The Silent Treatment, which gets the 20th-anniversary reissue treatment today from Season of Mist – as his first marriage dissolved and he then was kicked out of the…

Profile: The Gotobeds (2018)

“It’s always the easiest and least interesting route to have a preconceived notion of what band you want to sound like and then go do that.” Eli Kasan’s riffing again. And I’m listening close for clues. “We were terrible early on ‘cause we wanted to sound like too many things, and weren’t sure which suited…

Profile: Elephant Rifle

Let me call it early: anybody who’s anybody who considers themselves a devotee of punk rock will consider Hunk, the recently announced third full-length from Reno quartet Elephant Rifle, to be one of the most anticipated records of 2018. That’s on the record, Skippy. While Party Child, the group’s debut, was great, the band really…

PROFILE: Matt Mehlan (2017)

He’s going it on his own again and it sounds great. Tomorrow, after a decade-plus at the helm of the thought-rock ensemble/b(r)and Skeletons, Matt Mehlan will strike out on his own with the release of a solo record, The Mehlans. The record is alarmingly accessible and totally bizarre – like a fever-dream where you know…

PROFILE: King G and The J Krew

Twenty five years ago today, the beat was born. It was the sound of young adults from Louisville – a sprawling collection of collaborators, most of them close friends since childhood – surging with ideas, and busting out with a declaration that they intended to live an unfiltered, untethered life of art and music. It…

PROFILE: David Grubbs (2017)

Five days ago, David Grubbs released one of the best records of his storied career and a real contender, especially in avant-indie circles, for Record of the Year. The LP in question? Creep Mission, a collection of eerily emotive, eerily intuitive guitar pieces punctuated with careful interjections from drums, trumpet and electronics. The whole record hangs together and…

PROFILE: Black Wine (2017)

Black Wine is dead. Long live Black Wine! Everyone’s favorite New Jersey punk trio played its final show Aug. 13 at Brighton Bar in Long Branch, N.J., bringing to an end a run of calculated chaos chronicled in a stream of engaging records and bombastic live shows. “They felt like one of those bands that…

PROFILE: Soda Club (2017)

It starts with the muted, chikka-chikka strum of a Fender Telecaster electric guitar and the clacking metronome of drumsticks, while riffing on a slight, but healthy case of secret identity. “I show up to your Halloween party / without a costume on,” singer/guitarist Shay Park coos, her voice caressing the syllables of each word. “Everyone…

PROFILE: Chuck Mosley (2017 x2)

Call it a purge. Asked recently to perform at a friend’s memorial service, former Faith No More frontman Chuck Mosley felt inspired and kicked into songwriting overdrive, churning out 11 compositions in two months. “It was all of a sudden,” Mosley says. “I had to block the faucet because they were coming out faster than…

PROFILE: Buzz Osborne (2017)

Buzz Osborne doesn’t give a shit what you think about the new Melvins record. “Some people will be weirded out because it’s not what they expected,” he says. “But, Jesus Christ, after this long, isn’t that what you’ve come to expect?” A Walk With Love and Death, an epic double-album out today on Ipecac Recordings,…