PROFILE: King G and The J Krew

Twenty five years ago today, the beat was born. It was the sound of young adults from Louisville – a sprawling collection of collaborators, most of them close friends since childhood – surging with ideas, and busting out with a declaration that they intended to live an unfiltered, untethered life of art and music. It…

PROFILE: David Grubbs (2017)

Five days ago, David Grubbs released one of the best records of his storied career and a real contender, especially in avant-indie circles, for Record of the Year. The LP in question? Creep Mission, a collection of eerily emotive, eerily intuitive guitar pieces punctuated with careful interjections from drums, trumpet and electronics. The whole record hangs together and…

PROFILE: Black Wine (2017)

Black Wine is dead. Long live Black Wine! Everyone’s favorite New Jersey punk trio played its final show Aug. 13 at Brighton Bar in Long Branch, N.J., bringing to an end a run of calculated chaos chronicled in a stream of engaging records and bombastic live shows. “They felt like one of those bands that…

PROFILE: Soda Club (2017)

It starts with the muted, chikka-chikka strum of a Fender Telecaster electric guitar and the clacking metronome of drumsticks, while riffing on a slight, but healthy case of secret identity. “I show up to your Halloween party / without a costume on,” singer/guitarist Shay Park coos, her voice caressing the syllables of each word. “Everyone…

PROFILE: Chuck Mosley (2017 x2)

Call it a purge. Asked recently to perform at a friend’s memorial service, former Faith No More frontman Chuck Mosley felt inspired and kicked into songwriting overdrive, churning out 11 compositions in two months. “It was all of a sudden,” Mosley says. “I had to block the faucet because they were coming out faster than…

PROFILE: Buzz Osborne (2017)

Buzz Osborne doesn’t give a shit what you think about the new Melvins record. “Some people will be weirded out because it’s not what they expected,” he says. “But, Jesus Christ, after this long, isn’t that what you’ve come to expect?” A Walk With Love and Death, an epic double-album out today on Ipecac Recordings,…

PROFILE: Christian Frederickson (2017)

It is May 25, 2006. You are sitting in a capacity crowd at Kaufman Center’s intimate Merkin Concert Hall in New York City, listening to Rachel’s perform their last show as an ensemble – though nobody knows that just yet. WNYC 90.3 FM, an NPR affiliate, is broadcasting and Greg King’s scene-setting film is being…

PROFILE: Chris Besinger of STNNNG (2017)

Ladies and gentlemen, STNNNG has reentered the building. After four years of waiting and much, much anticipation, Minnesota’s greatest post-punk band is back with a new record, Veterans of Pleasure. We shot a few questions to the king of the speak-sing delivery, STNNNG vocalist Chris Besinger, to set the record straight on his wicked agenda….

PROFILE: Chuck Mosley (2017)

Chuck Mosley just can’t stop. Chain-smoking Marlboro Blacks as he sits near the end of an aging sofa, the 80s icon kicks on some rough demos of his latest project, a frontman outing with post-punk band Primitive Race due out this fall. The music cuts angular and jagged, more raw and steel-edged than what you ever would…

PROFILE: Rachel Grimes

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…