Review: Noemienours – “As A Beare Doth Her Whelps”

The German guitar-composer Noemie Dal on Sept. 10 will release her third outing, a Bob Weston-mastered LP and digital release via Bandcamp, under the sobriquet Noemienours, titled As A Beare Doth Her Whelps. It’s a continuation, in some form, of the ursus-themed records she’s been releasing for the past two or three years, and the…

Review: Exhalants – S/T

To call Austin’s Exhalants a bombastic noise-rock trio is to call Everest a molehill. These guys, who released an epic, self-titled full-length via Self Sabotage Aug. 24, write with acid and fire, and burn with the desire to spread their gospel. It’s might stuff. Exhalants don’t craft hooks, but hurl explosions. Their impact on your…

Review: Robin Bacior – “Light It Moved Me”

Ah, the sophomore outing. What more vexing way of testing an artist’s mettle than seeing if they can replicate the magic of their debut, while not leaning on the former so much that they trend formulaic? It’s a difficult balancing act, and many have gone to the guillotine for their inability to pull it off….

Review: Papa M – “A Broke Moon Rises”

Talk about a phoenix rising from the ashes of it all, am I right? Consummate post-rock guitarist David Pajo returns to excellent form on A Broke Moon Rises, a new five-song mini-LP released a few days ago via Drag City. The record comes less than two years after Highway Songs, a confusing mish-mash of odds…

Review: T-Tops – “Disease” EP

Talk about a punch to the gut. Something is roiling in Pittsburgh and the punk trio T-Tops is most definitely tapped into it. The group’s new EP — Disease, out now on Bandcamp — is a blistering, four-song set, with a rhythm section that pounds itself into your ear-drums and a frontman (guitarist/vocalist Patrick Waters)…

Review: Hontatedori – “Konata Kanata”

If the vitriol and raw energy of punk rock is like a fever dream, then the Tokyo trio Hontatedori — which premiered its U.S. debut, Konata Kanata, two days ago via David Grubb’s Blue Chopsticks imprint – is a wonderful antithesis: absinthe-soaked, doe-eyed, dreamy, and lined with enough crystalline guitars to fill the lonely sea….

Concert Review: The Gotobeds/Wax Chattels/Rave Ami/Late.

Three Pittsburgh bands and an ear-pounding trio from New Zealand filled Lawrenceville’s bare-bones warehouse space The Shop with delicious noise Friday, and the crowd in attendance even stole a few choice listens to songs from the next, much-anticipated record by local heroes The Gotobeds. Yes, yes, yes, the duo Late. performed its brand of synth-rock…

Review: Jeremy Enigk – “Return of the Frog Queen”

Sub Pop Records recently reissued Jeremy Enigk’s Return of the Frog Queen, a circa-‘96 solo debut whose first printing remains, justifiably, a much-sought-after cult classic. It also has become, over the years, a rather interesting point of departure from Enigk’s tenure with the on-again/off-again Sunny Day Real Estate and a lightning rod for dialogue about…

Review: High Plains – “Pilot Hill”

High Plains today quietly released a follow-up to Cinderland, its brilliant debut and, hands down, one of last year’s best records. But, before you go all googly-eyed on me, take pause – this is not the group’s second LP proper but, instead, the digital release on Bandcamp of a tour-only cassette. And that’s an important…