Feature: Crafted Sounds Releases “Bridges”

Connor Murray turned 21 on April 13,  but he didn’t celebrate in the usual way. Yes, there were the obligatory drinks at midnight but, instead of just rising reluctantly the next morning with a horrible hangover, the Pitt senior woke up with a new release on his cassette-centric label, Crafted Sounds. Bridges, the appropriately titled…

Review: Christian Frederickson – “Islands of Light”

There’s this piece of ephemera from the days of the Rachel’s ensemble that sticks to the attic of my mind like so much setting rubber cement – let’s call them the scrolls. Far from biblical or Talmudic or scriptural (in a sense of religiosity, at least), they were large sheets of paper on which members…

REVIEW: The Gotobeds – “Definitely Not A Redd Kross EP”

Pittsburgh’s The Gotobeds are offering their two cents on a vintage blast of punk energy – and it is mighty good. Dubbed Definitely Not A Red Kross EP, the new 7-inch EP, out tomorrow on Atlanta’s Chunklet Industries, is a six-song cover of – yep, uh huh, you guessed it – Redd Kross’ high-octane debut…

REVIEW: Watter – “History of the Future”

Watter – a Louisville post-rock band that’s high in promise due to its parentage, if nothing else – simply fails to deliver on the oft-disjointed but occasionally ambitious History of the Future, its sophomore full-length, out today on Temporary Residence. It’s not that there are not great moments on the record. It’s just that their…

PROFILE: Chris Besinger of STNNNG (2017)

Ladies and gentlemen, STNNNG has reentered the building. After four years of waiting and much, much anticipation, Minnesota’s greatest post-punk band is back with a new record, Veterans of Pleasure. We shot a few questions to the king of the speak-sing delivery, STNNNG vocalist Chris Besinger, to set the record straight on his wicked agenda….