Review: Sarah Longfield – “Disparity”

In terms of pure technique, Sarah Longfield’s a hell of a seven- and eight-string guitarist. Her new LP, Disparity, buttresses that thesis and then some. But can she write a song? Well, sorta. The new record, out Nov. 30 on Seasons of Mist, features nine songs that coalesce between glassy textures and rapid-tapping rock/metal shreddage….

Review: Aaron Myers-Brooks – “Multilinear Smatterings”

Pittsburgh-based guitarrorist Aaron Myers-Brooks summons up precision-lined metal shredding and keyboard-thrusted polyrhythms on his excellent, new one-man/one-song instrumental single, “Multilinear Smattering,” out last week on Bandcamp. Now, the entire “single” runs less than two minutes but, that, for a descendent of Orthrelm, is more than enough time to make a hell of a racket. Myers-Brooks,…

REVIEW: Aaron Myers-Brooks – “Conduits”

Experimental guitarist Aaron Myers-Brooks, on loan from Pittsburgh post-metal outfit Night Vapor, slants toward the “avant” in avant-jazz on Conduits, the third EP he has self-released in the past 14 months. Musical notes seem to trip over their own feet on the three-song recording, where Myers-Brooks’ angular guitar work is pristinely accompanied by piano, bass, synth and prepared…

REVIEW: Aaron Myers-Brooks – “Orthrelm Covers”

Orthrelm, may God save it soul, shreds to burst an eardrum or 10. And Aaron Myers-Brooks, guitarist for Pittsburgh post-punkers Night Vapor, is no novice in the practice, either. But, while Myers-Brooks has always hinted or nodded toward his Orthrelm love on stage and online, he now has a proper collection of riffage to show…