Review: Paracute for Gordo – “Best Understood by Children and Animals”

Post-rock boasts a long lineage of outfits driven by glassy guitars. Though birthed from the oft-unpredictable, highly surrounding-soaked likes of Talk Talk’s Laughing Stock, Television’s Marquee Moon or Slint’s Spiderland, much of what has come to define the post-rock genre, be it June of 44’s and Mogwai’s tangled multi-guitar attacks or Godspeed You! Black Emperor’s and Explosions in the…

Review: Kal Marks – “Let The Shit House Burn Down”

Now, I’m not always prone to deflect a kind remark when something better comes along, but, listen listen, follow my logic here. At the end of the month, Exploding In Sound Records will release the new, five-song pseudo-EP by Massachusetts art-noise trio Kal Marks. And, by all accounts, it’s a fine record, even at times…

Review: Elephant Rifle – “Hunk”

As pig-fuck goes, this is some of the best. For those just tuning in, pig-fuck is the unfortunately titled genre of explosive post-punk that, at first, was cut in Chicago and the greater American Midwest in the 1980s and 1990s – think bombastic acts like Big Black, Vesuvian ones like The Jesus Lizard, and masters…

Profile: The Gotobeds (2018)

“It’s always the easiest and least interesting route to have a preconceived notion of what band you want to sound like and then go do that.” Eli Kasan’s riffing again. And I’m listening close for clues. “We were terrible early on ‘cause we wanted to sound like too many things, and weren’t sure which suited…