Profile: Steve Albini (2020)

Eight hours each way. That’s how long Tim Midyett and his friends drove to see Big Black play live in Seattle in 1987. Archaeological artifacts place inhabitants in the Missoula, Montana area at the end of the last ice age, about 12,000 years ago. In the 18th and early 19th centuries, Native American tribes like…

Review: The Austerity Program – “Bible Songs 1”

I’m not sure which version of the King James Bible Thad Calabrese and Justin Foley are thumbing through, but I don’t remember the incantation “You motherfuckers!” appearing in the Book of Isaiah. The Biblical interpretations might shoot from the hip a bit (God bless ‘em) but that’s the only thing that’s loose about Bible Songs…

Review: Elephant Rifle – “Hunk”

As pig-fuck goes, this is some of the best. For those just tuning in, pig-fuck is the unfortunately titled genre of explosive post-punk that, at first, was cut in Chicago and the greater American Midwest in the 1980s and 1990s – think bombastic acts like Big Black, Vesuvian ones like The Jesus Lizard, and masters…

Louisville-Born, Brooklyn-Based — PROFILE: David Grubbs (2006)

The classroom is empty, the students more than an hour away, but David Grubbs sits behind a console in an unassuming Brooklyn College radio laboratory, tinkering with faders and talking about the aesthetics of sound art as if one of his classes already was in session. In this performance space without an audience, he’s dressed…