Review: David Grubbs/Taku Unami – “Comet Meta”

In “Heart of the Thrumming House”, the fourth track off the new David Grubbs and Taku Unami collaboration, Comet Meta, listeners can be forgiven for feeling the surroundings are a little familiar, that peculiar déjà vu of sensing that they’ve been here before. There are Grubbs’ fragile and sparse, borderline-nonexistent guitar figures, and Unami unleashes undulating waves…

Review: Ryan Rumery – “And, Apart”

Multi-instrumentalist Ryan Rumery’s emotive music always has traded in a kind of nuance, with even his most emphatic statements – which often are bookmarked by ethereal sound-sculpture – being underpinned by the sticky uncertainty of second thought. Coronavirus, no matter how society-halting it becomes, simply cannot stop that. So Rumery, now in isolation due to…

Profile: Spotlights (2019)

The band Spotlights played its first show in Pittsburgh in 2017, opening for Melvins at Rex Theater in South Side. At the time, the group – husband and wife team Mario and Sarah Quintero – lived in Brooklyn. On Tuesday, July 16, the band will make its latest appearance in Pittsburgh, headlining Black Forge 2…

Review: Hawk and Dove – “Our Childhood Heroes”

I wanted to start this review with the following: Our Childhood Heroes, the sophomore outing by Brooklyn collective Hawk and Dove, can best be summarized by its closing track. At 10 minutes long, “For Jack” is plaintive and, at times, a bit overdrawn but you cannot helped being sucked into its vortex by the conceit…

Review: Léah Lazonick – “Movimenti della Luna d’Oro”

All it takes is 12 minutes to wow us. With a sense of movement falling somewhere between the piano phrasings of Cage (thinking The Seasons, from ‘47) and Glass’ more emotionally driven Metamorphosis, Brooklyn-based composer Léah Lazonick offers us the beautific Movimenti della Luna d’Oro, translation: Movements of the Moon of Gold, a chamber suite in three parts…

REVIEW: Oblique Quartet – Tlaloc Beat

Dear Reader: Staff writer Justin Vellucci promised us a review of Oblique Quartet’s debut record,Tlaloc Beat, in his words, “by the end of May, drop-dead latest.” As I am writing this, September is nearly over. In the spirit of fairness to the musicians who labored over the product, we have decided to instead publish Vellucci’s notes…

REVIEW: Big Lazy – Don’t Cross Myrtle

Stephen Ulrich and his jazz/rock noir band Big Lazy will take up residency at the renowned Brooklyn joint Barbes starting in a couple short days and there seems like no better reason to take a second glance at the 2014 gem of a record that slipped below our radar here at Popdose, that comeback kid…