Profile: Mark Deutrom (2018)

Every 10 years, Mark Deutrom goes through some fresh hell. Take 1998, a couple of hells ago. Deutrom was recording his first solo record – the excellent The Silent Treatment, which gets the 20th-anniversary reissue treatment today from Season of Mist – as his first marriage dissolved and he then was kicked out of the…

REVIEW: Primitive Race – “Soul Pretender”

It’s hard not to view Primitive Race’s sophomore outing, Soul Pretender, as the next chapter in Chuck Mosley’s epic comeback story. On the record, out Friday on Metropolis, Mosley is positively radiant, sounding better, sharper and more engaged than he has since the heyday of Faith No More’s Introduce Yourself. After years of being relegated…

REVIEW: Dale Crover – “The Fickle Finger of Fate”

Dale Crover is positively chameleonic – as if any of us would expect anything less – on The Fickle Finger of Fate, his “debut” solo full-length LP, out today on Joyful Noise Recordings. I use the annoying contextual quotes around “debut,” because Crover has been down this road before and we’ve been right alongside. San…

REVIEW: Melvins – “A Walk With Love and Death”

You’ve got to give it to Melvins: these guys keep you on your toes. The trio, now featuring Redd Kross’ Steve McDonald on bass, has a new double-album out today, A Walk With Love and Death, and it is a bizarre and mesmerizing little opus, a collection that is even more disorienting if you’ve been…

REVIEW: Crystal Fairy – S/T

Don’t get me wrong: I like Crystal Fairy’s self-titled debut, I really do. I just don’t love it as much as I think I should. The name on the spine says Crystal Fairy and there’s been lots of pomp & circumstance but the record, out last week, is less a document of a super-group in the making…