Review: Cat Clyde – “Good Bones”

Calling something “old-timey” can be a flat-out misnomer. The history of recorded music remains too new, relatively speaking, to know what signatures were writ large on long-long-gone eras and most of what we associate with the genre, the familiar skeletons of it all, aligns with signifiers from contemporary ephemera, particularly other music. That said, Cat…

Review: Raphael Weinroth-Browne – “Worlds Within”

Reconsideration, at least in this writer’s case, has been very kind to Raphael Weinroth-Browne. I was introduced last year to the Canadian cellist and post-classical composer by way of Worlds Within, the new 10-track song-cycle he plans to self-release on CD and digital platforms Jan. 24. At first blush, Weinroth-Browne’s modus operandi mimicked, at least…

Review: Alder & Ash – “The Crowneater”

There’s no place to enter The Crowneater – the new LP from Alder & Ash, out Dec. 6 via Mendicant – because the whole record is just that damned incredible. From the fine-textured drones of opener “Breath of the Ashen Earth” to the cello-whistling dissonance that kicks off closer “Still Breathing, Still Born” eight tracks…

Review: Tunic – “Complexion”

There’s a problem with Complexion, the bombastic full-length debut outing from Canadian trio Tunic, out Feb. 8 via Self Sabotage/Super Secret, and it keeps the entire record from being a furious series of eruptions and, instead, pegs it as a hit-and-miss collection that simply goes a little off the rails. It’s David Schellenberg’s voice. Well,…

Review: Saleeha – “Come Wander Through The Pale Dark”

As Saleeha, the Australian-born, Vancouver-based Max Buchanan makes meditative, slowly unfurling soundscapes that, surprisingly enough, do not echo or mime fellow Vancouver-based ambient artist Loscil. I say surprisingly because, as ambient music goes, the five tracks on Saleeha’s new Come Wander Through The Pale Dark have a similar mission to Loscil: namely, painting narratives with…