Review: Helen Money – “Atomic”

The Chicago-based cellist Alison Chesley is accustomed to providing the sonic equivalent of accent marks and highlights on other people’s statements of intent. She has appeared on some 150 LPs, offering the bowed weep and illuminating scope of her instrument to the likes of Anthrax, Russian Circles, Bob Mould, MONO, and many more. But, when…

Review: Kaada – “Closing Statements”

The new record from the Norwegian composer Kaada is a beautiful thing, immense in scope yet startlingly intimate. But, while it plays on a theme – Death; the record, after all, is called Closing Statements – its songs, taken as a cycle, sometimes feel too content to color within the lines. The LP, out today…

Review: Randall Holt – “Inside The Kingdom of Splendor and Madness”

The cello weeps and sows and soars, and so it goes with Randall Holt and his Inside The Kingdom of Splendor and Madness, which gets the CD/cassette re-release treatment April 20 from Self Sabotage Records. Holt, an accomplished cellist, traffics in the kind of moody, cinematic, classical soundscapes that oft define Godspeed You! Black Emperor, which…