Review: WiiRMZ – “Faster Cheaper”

The joyfully bombastic quartet WiiRMZ hail from the same city that defined (and arguably invented) post-rock in the 1990s with bands such as Slint and Rodan. And they also come from the state that gave America two well-known right-wing windbags: Senate Majority Leader Mitch McConnell and Tea Party-backed Governor Matt Bevin. But on their sometimes-too-good-to-be-true debut LP, Faster…

Top 50 Records of 2020, So Far (Spectrum Culture)

David Grubbs & Taku Unami – Comet Meta [Blue Chopsticks] The record begins in unassuming territory, two undistorted electric guitars unfurling jumbled yet glassy, complementary yet dissonant post-rock measures that resemble rivers floating suspended in the air, sentiments that are both fully formed and feathery-light. Two minutes into the title track of Comet Meta, though, you…

Review: David Grubbs/Taku Unami – “Comet Meta”

In “Heart of the Thrumming House”, the fourth track off the new David Grubbs and Taku Unami collaboration, Comet Meta, listeners can be forgiven for feeling the surroundings are a little familiar, that peculiar déjà vu of sensing that they’ve been here before. There are Grubbs’ fragile and sparse, borderline-nonexistent guitar figures, and Unami unleashes undulating waves…

Review: Monotrope – “Immutable Future”

Monotrope’s new record is a wondrously dense thatch of black thorns and I love it for that. In case you’re just joining the show, the quartet, which should be storied by now, features a Touch and Go Records alumnus (who also happens to play in Bellini), a Pittsburgher and two members of Unraze. And, if…

Review: Expires – “No New Futures”

Last year’s Fake Sigils was an engaging slice of glassy post-rock but Pittsburgher Mike Layton’s latest outing as Expires — titled No New Futures, and out Tuesday — has a new target altogether: the acoustic guitar. The unamplified approach does wonders for the six-stringer, lending his melancholy figures and descents shades both of David Grubbs…

Review: Noemienours – “As A Beare Doth Her Whelps”

The German guitar-composer Noemie Dal on Sept. 10 will release her third outing, a Bob Weston-mastered LP and digital release via Bandcamp, under the sobriquet Noemienours, titled As A Beare Doth Her Whelps. It’s a continuation, in some form, of the ursus-themed records she’s been releasing for the past two or three years, and the…

Review: Hontatedori – “Konata Kanata”

If the vitriol and raw energy of punk rock is like a fever dream, then the Tokyo trio Hontatedori — which premiered its U.S. debut, Konata Kanata, two days ago via David Grubb’s Blue Chopsticks imprint – is a wonderful antithesis: absinthe-soaked, doe-eyed, dreamy, and lined with enough crystalline guitars to fill the lonely sea….

Concert Review: Richard Buckner – Live In Pittsburgh, 06/07/18

It was 1998 when I first heard Richard Buckner, and I instantly was transfixed. The record in question was Since, his MCA collaboration with stalwarts like Syd Straw and David Grubbs, and it was breathtaking stuff, alt-country (or post-country) at its finest — but also overflowing with engaging song-gems beyond the boundaries of the genre….

Review: David Grubbs & Taku Unami – “Failed Celestial Creatures”

From the early notes of “Failed Celestial Creatures” – the meditative, 20-minute-long title track to the unanticipated debut collaboration between guitar-composer David Grubbs and Japanese musician Taku Unami, out Friday via Empty Editions – you get the sense you’re listening to something special. While Unami paints with fuzzy clouds of electronic sound, Grubbs repeats wonderfully…

Review: Your Food – “Poke It With A Stick” (Reissue)

This Friday belongs to Your Food. The Louisville post-punk quartet – whose only LP, 1983’s Poke It With A Stick, is getting the reissue treatment at the end of this work-week care of Drag City – was key in its all-too-short tenure to the region’s indispensable wave of punk and post-rock in the 80s and…