Justin Vellucci’s Year-Ending Top Ten: 2017 Edition

Yeah, yeah, putting the final nail in the coffin of 2017 is a little premature, seeing as there’s still more than 30 days left in the year. But, I’m the music writer compiling this list, so, here you go. It was an interesting year in underground music and, rather than present a conventional Top Ten,…

REVIEW: Yes Selma – “Songs of Happiness”

When Chad Beattie, a 24-year-old from Baltimore, first told me about his bedroom project Yes Selma – a Dancer In The Dark nod – he referenced a lot of the Drag City musicians adored by those in the lo-fi singer-songwriter boom of the 1980s and 1990s. And, yes, listening to Yes Selma’s ambitious and ironically…

REVIEW: Sir Richard Bishop – “Tangier Sessions”

This is the story of a man and the guitar that took hold of him. The man styles himself Sir Richard Bishop, a Phoenix-bred guitar master known best for his work with the group Sun City Girls. A Drag City artist – his last outing for the label was 2009’s The Freak of Araby —…

REVIEW: Bonnie “Prince” Billy – Singer’s Grave A Sea of Tongues

Singer-songwriter Will Oldham, that old Palace ring-leader turned “Prince,” just has released a new collection of emotive acoustics titled Singer’s Grave A Sea of Tongues – and, hands down, it is easily the best record he’s done since Lie Down In The Light. The backbone of the record is reminiscent of 2001’s Ease Down The…