Review: J. Foley – “Drone Loops”

Now, this is the way EXPERIMENTAL music is supposed to sound – epic, thought-provoking and loud! The Austerity Program guitarist J. Foley departs sonically from his pseudo-full-time noise-rock/art-metal gig with a new four-composition EP of drone loops titled, yep, you’re a smart one, Drone Loops. (It came out May 5 on Controlled Burn.) But, while…

Review: Dylan Carlson – “Conquistador”

I know it’s utterly blasphemous to suggest in underground circles, but my first point of entry when listening to Dylan Carlson’s new “Conquistador,” the title track to a series of brain-melting epics for distorted guitar, was not Herzog’s Aguirre but Neil Young. Not the commercial Young, mind you, or he of the Crosby, Stills &…

Review: Saleeha – “Come Wander Through The Pale Dark”

As Saleeha, the Australian-born, Vancouver-based Max Buchanan makes meditative, slowly unfurling soundscapes that, surprisingly enough, do not echo or mime fellow Vancouver-based ambient artist Loscil. I say surprisingly because, as ambient music goes, the five tracks on Saleeha’s new Come Wander Through The Pale Dark have a similar mission to Loscil: namely, painting narratives with…

Welcome To Pittsburgh #1: Broughton’s Rules – “Anechoic Horizon”

In this fine, first edition of Welcome To Pittsburgh, a new, somewhat-irregular Popdose column dictating the independent musical pulse of the Rust Belt’s cultural capital, we find ourselves saddled with a quirky little record bearing an interesting lineage and a sense of composition writ large. The record in question? Broughton’s Rules’ Anechoic Horizon. Released by…