Obituary: Chuck Mosley (1959-2017)

Chuck Mosley – who died unexpectedly yesterday, age 57 – was a mess of contradictions. He was an L.A. rock star and a Midwestern underground icon. He was audacious, yet amazingly self-conscious and self-effacing. His greatest work was behind him – Faith No More’s still-engaging Introduce Yourself, on which he sang in 1987, introduced him…

REVIEW: Primitive Race – “Soul Pretender”

It’s hard not to view Primitive Race’s sophomore outing, Soul Pretender, as the next chapter in Chuck Mosley’s epic comeback story. On the record, out Friday on Metropolis, Mosley is positively radiant, sounding better, sharper and more engaged than he has since the heyday of Faith No More’s Introduce Yourself. After years of being relegated…

REVIEW: Dead Cross – S/T

Mike Patton has never fronted a band like this. The Faith No More frontman, known by most of the populace alive in the 80s and 90s for a rap-rock song about masturbation (the epic “Epic”), has been at the helm of some pretty aggressive groups. His time in Fantomas and his EP providing vocals for…

PROFILE: Chuck Mosley (2017)

Chuck Mosley just can’t stop. Chain-smoking Marlboro Blacks as he sits near the end of an aging sofa, the 80s icon kicks on some rough demos of his latest project, a frontman outing with post-punk band Primitive Race due out this fall. The music cuts angular and jagged, more raw and steel-edged than what you ever would…

REVIEW: Faith No More – “We Care A Lot” (Deluxe Band Version)

Let’s fold back the sheets on 2016, this death’s bed of a year, by focusing our attention on one of its brighter moments, an overlooked reissue that fills in the blanks about one of the biggest American-bred bands of the late 1980s and the budding 1990s. Coming now through bassist Billy Gould’s Koolarrow Records, the…

REVIEW: Faith No More – “Sol Invictus”

Faith No More, after an 18-year recorded absence, is back today with a new CD, Sol Invictus, and the band sounds as finely tuned and ferocious as ever, even if the act of reuniting for a formal recording after a few years on the touring circuit brings with it some thornier issues. The record, clocking…

REVIEW: tētēma – “Geocidal”

Sabina Maselli’s spirited avant-film experimentation is the perfect introduction to tētēma, the Anthony Pateras/Mike Patton duo debuting tomorrow on Ipecac. Both, it should be noted, are mind-blowing. Filmed in digital, transferred to film and bounced back again into the digital domain – just like Beckett wrote/translated from French to English to French again, Pateras notes –…