Profile: Adam Fitz (2019)

Four out of every five shows singer-songwriter Adam Fitz played this year centered around cover sets in Westmoreland County bars and juke joints. Coming up as a musician in Chicago, he sneered at such gigs. Not so in 2019. “The songs that came out of me this year, those songs came out easier because I…

Review: Adam Fitz – “Can’t Pardon Me”

There might be no better way to end 2019, this dog-eared novella of a year, and start the wondrous new Twenties than with ruminations on regret, redemption and hope. So, let us all join Pittsburgh-area singer-songwriter Adam Fitz when he starts 2020 bright and early Jan. 1 by self-releasing a two-song EP online that’s ripe…

Review: Erik Della Penna – “New York Songs”

It’s been a decade since New York City antique-garde duo Kill Henry Sugar – they of “cinematic gravitas,” quoth the Village Voice — released the beautific folk collection Hot Messiah. But, despite the lag in the discography department, Erik Della Penna, the band’s guitarist, has been keeping busy. In 2013, he joined roots act Hazmat…

Review: Bonnie “Prince” Billy – “BPB Mix Tape Vol. 5”

Any musician who’s released 25 studio LPs (did I count that right?) must bear a treasure trove of outtakes and demos, amirite? But Will Oldham always has been more than just prolific, just a man who has, y’know, a lot of songs. Since 1993 – the year he released the epic, Slint-assisted Depression blues of…

Review: Will Oldham – “Songs of Love and Horror”

Songs of Love and Horror — a new LP, out alongside a tome of lyrics last week via Drag City, wherein the acclaimed singer-songwriter Will Oldham unfurls tender incantations of songs from the Palace and Bonnie “Prince” Billy catalogues — is frighteningly, frighteningly evocative stuff. It also might be the indie-folk icon’s finest record in…