Profile: Mark Deutrom (2018)

Every 10 years, Mark Deutrom goes through some fresh hell. Take 1998, a couple of hells ago. Deutrom was recording his first solo record – the excellent The Silent Treatment, which gets the 20th-anniversary reissue treatment today from Season of Mist – as his first marriage dissolved and he then was kicked out of the…

Review: Mudhoney – “L.i.E.”

I still remember the CD. My Mudhoney collection was fairly impressive in ’93, having dug deep into the band’s Sub Pop soil, but the disc I found at Vintage Vinyl, Jack’s or wherever I was buying records at the time was of special interest: it was a live bootleg. Hearing a band live – or…

Review: Barlow – “In A Stranger’s Car” (Reissue)

Lo-fi fuzz-pop – think The Cure coalescing around the guitars of Les Thugs – is the name of the game on In A Stranger’s Car, the 2017 outing from Pittsburgh’s Barlow that gets the re-release treatment on cassette and streaming formats from Crafted Sounds Monday. The new edition features outtakes and promises of things to come….

REVIEW: U-Men – S/T

My first exposure to the bizarre genius of U-Men came when I first tracked down a vinyl copy of the scene-setting C/Z Records comp. Deep Six back in the early 90s. I was a budding teenager then and, thanks to Nirvana, discovering what Poneman and Pavitt dubbed, with more than a hint of cynicism, “The…

REVIEW: Pabst/Autisti – “Exciter” b/w “Dealbreaker”

There’s plenty of guitar fuzz and feedback featured on the Pabst/Autisti split seven-inch single, out next Friday on Crazysane Records. Pabst opens the proceedings with inviting grungy figures on guitar and a hooky chorus that call to mind The Leaving Trains. Their song can sometimes be ornate, if mostly for the cock-rock-inspired sing-song of the…