Review: Noemienours – “As A Beare Doth Her Whelps”

The German guitar-composer Noemie Dal on Sept. 10 will release her third outing, a Bob Weston-mastered LP and digital release via Bandcamp, under the sobriquet Noemienours, titled As A Beare Doth Her Whelps. It’s a continuation, in some form, of the ursus-themed records she’s been releasing for the past two or three years, and the…

Review: J. Foley – “Drone Loops”

Now, this is the way EXPERIMENTAL music is supposed to sound – epic, thought-provoking and loud! The Austerity Program guitarist J. Foley departs sonically from his pseudo-full-time noise-rock/art-metal gig with a new four-composition EP of drone loops titled, yep, you’re a smart one, Drone Loops. (It came out May 5 on Controlled Burn.) But, while…

Review: Dylan Carlson – “Conquistador”

I know it’s utterly blasphemous to suggest in underground circles, but my first point of entry when listening to Dylan Carlson’s new “Conquistador,” the title track to a series of brain-melting epics for distorted guitar, was not Herzog’s Aguirre but Neil Young. Not the commercial Young, mind you, or he of the Crosby, Stills &…

Review: Bellringer – “Stumble Bum/Triangular Object”

No matter how much he loathes it, Texan and musical-firebrand Mark Deutrom forever might be inextricably linked with Melvins, the legendary Gods-of-Thunder quartet whose debut he released on Alchemy 30-odd years ago and, more importantly, for whom he played a mean bass during a good chunk of the 1990s. But the Deutrom story did not…

Review: Radon Chong – “I Keep On Talking To You” (x2)

Radon Chong — a Pittsburgh act that crafts musical nooses out of knotted guitars — sets its sights high on I Keep on Talking to You, a debut cassette sitting at the intersection of post-rock’s interwoven trajectories and Captain Beefheart’s atonal laments. And, man oh man, does this band bloody and utterly batter those sights. In…

REVIEW: David Grubbs – “Creep Mission”

It starts with the guitar and the guitar alone, amplified slightly but not distorted, its complicated figures as crystalline as frosted glass. It advances, carefully, with the occasional pitter-patter of percussion and well-placed interjections of bass, both low in the mix, letting the real star shine. Two minutes in, it climbs a scale, there’s the…

CONCERT REVIEW: Soda Club

The ascending Pittsburgh quartet Soda Club treated a hometown crowd to its lazy Sunday brand of guitar-driven indie-pop on a Saturday this month, peppering a highly danceable, hour-long set of originals with covers of 80s classics by The Violent Femmes, The Cure and, yes, Cyndi Lauper. Dueling fronts Shay Park (on guitar and ukelele) and…