Review: Christian Frederickson – “Islands of Light”

There’s this piece of ephemera from the days of the Rachel’s ensemble that sticks to the attic of my mind like so much setting rubber cement – let’s call them the scrolls. Far from biblical or Talmudic or scriptural (in a sense of religiosity, at least), they were large sheets of paper on which members…

Review: Big Weather – “The Lightest Darkness”

Well, turns out climate change – for those rational people who agree with the science behind it – might not be all bad, after all. Big Weather, the latest effort from musician/composer/drummer Ryan Rumery, posits itself as an experiental response to “ever-intensifying natural phenomena.” The Colorado-based outfit’s new record, The Lightest Darkness, is an interesting point…

Review: Rachel Grimes – “Eights”

Composer/pianist Rachel Grimes orchestrates a soundscape of wonder on “Eights,” a digital one-off also available on the compilation accompanying Oxford American’s new edition on Kentucky music. The song was released, alongside sheet music, earlier today on Bandcamp. The premise for the piano etude is simple and one does not have to wonder long if the…

PROFILE: King G and The J Krew

Twenty five years ago today, the beat was born. It was the sound of young adults from Louisville – a sprawling collection of collaborators, most of them close friends since childhood – surging with ideas, and busting out with a declaration that they intended to live an unfiltered, untethered life of art and music. It…

PROFILE: Rachel Grimes

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…