Review: Jim O’Rourke – “Shutting Down Here”

Jim O’Rourke fired off “Cede” 20- or 25-odd years ago as a salvo in the battles within his alien landscape of a musical mind. Shutting Down Here, then, is a punctuation. The new composition, out 14 August, was put to tape in sessions spanning decades at the Groupe de Recherches Musicales, or GRM, in Paris –…

Review: Bibio – Sleep on the Wing

The closing and 10th track off Bibio’s Sleep on the Wing, “Watching Thus, The Heron Is All Pool”, is arguably the new record’s finest moment. Like some of the tracks on Ribbons, from 2019, the song wraps itself in the adornments of mid-20th century British folk – the acoustic guitar and accompanying strings do magical little flights…

PROFILE: David Grubbs (2017)

Five days ago, David Grubbs released one of the best records of his storied career and a real contender, especially in avant-indie circles, for Record of the Year. The LP in question? Creep Mission, a collection of eerily emotive, eerily intuitive guitar pieces punctuated with careful interjections from drums, trumpet and electronics. The whole record hangs together and…

Louisville-Born, Brooklyn-Based — PROFILE: David Grubbs (2006)

The classroom is empty, the students more than an hour away, but David Grubbs sits behind a console in an unassuming Brooklyn College radio laboratory, tinkering with faders and talking about the aesthetics of sound art as if one of his classes already was in session. In this performance space without an audience, he’s dressed…

REVIEW: Jim O’Rourke – “Simple Songs”

Jim O’Rourke can resemble a complicated musical chameleon. Since the late 80s, he has blended a patchwork career in the avant-garde with explorations into cinema, post-, folk- and alt-rock, and membership with acoustic-chamber heroes Gastr del Sol and “punk” purveyors Sonic Youth. In his recent years, as he’s retired to Japan, he’s been more off…