Review: Melvins – “Pinkus Abortion Technician”

Ugh. The new Melvins record, I am sad to report, dear reader, is a bit of a trainwreck. It’s not that Pinkus Abortion Technician, out Friday on Ipecac, lacks ideas. For the first time, the band appears with two bassists and, while the concept is interesting – “It could be an acid-trip metal version of Tortoise!”…

REVIEW: Primitive Race – “Soul Pretender”

It’s hard not to view Primitive Race’s sophomore outing, Soul Pretender, as the next chapter in Chuck Mosley’s epic comeback story. On the record, out Friday on Metropolis, Mosley is positively radiant, sounding better, sharper and more engaged than he has since the heyday of Faith No More’s Introduce Yourself. After years of being relegated…

REVIEW: Melvins – “The Bulls And The Bees”/”Electroretard” (Re-issue)

So, here it is: the new Melvins record is actually a duo of Melvins records that already was. It’s interesting to see what the juxtaposition of the two documents, released herein by Ipecac, tells us about the group’s trajectory and “career” pangs. And, oh yeah, of course, full disclosure: it’s worth hearing it if you haven’t, like you…

REVIEW: Elephant Rifle – “Ivory”

This record begins with the uncontrolled wailing of guitar feedback and squalor, later joined by the gasps of a dying piano. And that’s a good place to start. Because, then, it kicks you in the goddamn teeth. Turn it up! Turn it up! “Bone Voyage,” Elephant Rifle’s entry in Noise-Punk Single of the Year, explodes…

REVIEW: The Melvins – “Hold It In”

The latest Ipecac Records serving by proto-punk/metal-heads/Gods of Thunder The Melvins — this one titled, counter-intuitively, Hold It In — sounds like another experiment from the California-by-way-of-Washington grunge founders, and supplies even more ammunition to the argument that the group is becoming, at least in how structure influences sound, less of a garage-rock outfit and…