REVIEW: Rachel Grimes – “The Clearing”

There is a whisper, a scattering of whispers, a whole orchestrated evening of whispers – a subdued kind of wonder and majesty to it all. But even though only her name appears on the product these days, she never walks these woods alone. Temporary Residence Records yesterday released The Clearing, Louisville-based composer/pianist Rachel Grimes’ second…

Welcome To Pittsburgh #1: Broughton’s Rules – “Anechoic Horizon”

In this fine, first edition of Welcome To Pittsburgh, a new, somewhat-irregular Popdose column dictating the independent musical pulse of the Rust Belt’s cultural capital, we find ourselves saddled with a quirky little record bearing an interesting lineage and a sense of composition writ large. The record in question? Broughton’s Rules’ Anechoic Horizon. Released by…

REVIEW: We Only Said – “Boring Pools”

It’s hard to believe We Only Said operates nearly 4,100 miles outside Louisville, once- and always-home of post-rock icons Slint and Rodan. They just sound so downright Louisvillian. But so it goes for the reigning post-rock champions of Rennes, France. The group – whose second full-length, Boring Pools, was released by Les Disques Normal earlier…

PROFILE: Rachel Grimes (2014)

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…