REVIEW: The Greatest Hoax – “Expiration Compositions”

Expiration Compositions – the sophomore outing by composer Taylor Jordan, a.k.a. The Greatest Hoax – is a perfectly okay record. The synth work is nuanced and studied and, for the most part, admirable, though I’m unsure if it lives up to its High Art premise about scoring the art of dying. And cellist Mark Bridges,…

REVIEW: Demen – “Nektyr”

The opening track – fragile and damaged, haunted and haunting – is so, so, so good, all lulling, breathy vocals, skittering drums and imprecise synth sounds. But Nektyr, Demen’s debut on Kranky, out Friday, is pretty much downhill from there. It isn’t that the music oblique that songwriter Irma Orm conjures is flawed. Sometimes, the…

PROFILE: High Plains (2017)

For those who haven’t been paying attention, Cinderland — the debut LP from Scott Morgan and Mark Bridges, the duo known as High Plains — is a serious early contender for year-end Top Ten lists. It is elegiac and nuanced stuff, at once dreamy and funereal; the record just ebbs and flows from your turntable…

REVIEW: Loscil – “Monument Builders”

A melancholy pall hangs over much of Loscil’s Monument Builders, a mysterious little nugget of an LP out since November on Kranky Records. Musician’s musician (and sole “band” member) Scott Morgan’s successor to 2014’s Sea Island sounds far grayer and more saturated in sadness than its predecessor and, for a miserable bastard like me, that’s…