Review: Cat Clyde – “Good Bones”

Calling something “old-timey” can be a flat-out misnomer. The history of recorded music remains too new, relatively speaking, to know what signatures were writ large on long-long-gone eras and most of what we associate with the genre, the familiar skeletons of it all, aligns with signifiers from contemporary ephemera, particularly other music. That said, Cat…

Review: Dylan Carlson – “Conquistador”

I know it’s utterly blasphemous to suggest in underground circles, but my first point of entry when listening to Dylan Carlson’s new “Conquistador,” the title track to a series of brain-melting epics for distorted guitar, was not Herzog’s Aguirre but Neil Young. Not the commercial Young, mind you, or he of the Crosby, Stills &…

Profile: Mark Deutrom (2018)

Every 10 years, Mark Deutrom goes through some fresh hell. Take 1998, a couple of hells ago. Deutrom was recording his first solo record – the excellent The Silent Treatment, which gets the 20th-anniversary reissue treatment today from Season of Mist – as his first marriage dissolved and he then was kicked out of the…

REVIEW: Kurt Cobain – Montage of Heck: The Home Recordings (Deluxe Edition)

Kurt Cobain’s first solo record – recently released 21 years after his 1994 suicide and paired with a suspect “documentary” film project of revisionist mythmaking and iconography – is a jumbled, scraping-barrel-bottom mess of an affair. It’s not to say that, for die-hard fans, there are not things to like about it. There are moments…

REVIEW: Elephant Rifle – “Ivory”

This record begins with the uncontrolled wailing of guitar feedback and squalor, later joined by the gasps of a dying piano. And that’s a good place to start. Because, then, it kicks you in the goddamn teeth. Turn it up! Turn it up! “Bone Voyage,” Elephant Rifle’s entry in Noise-Punk Single of the Year, explodes…