REVIEW: Watter – “History of the Future”

Watter – a Louisville post-rock band that’s high in promise due to its parentage, if nothing else – simply fails to deliver on the oft-disjointed but occasionally ambitious History of the Future, its sophomore full-length, out today on Temporary Residence. It’s not that there are not great moments on the record. It’s just that their…

PROFILE: King G and The J Krew

Twenty five years ago today, the beat was born. It was the sound of young adults from Louisville – a sprawling collection of collaborators, most of them close friends since childhood – surging with ideas, and busting out with a declaration that they intended to live an unfiltered, untethered life of art and music. It…

Louisville-Born, Brooklyn-Based — PROFILE: David Grubbs (2006)

The classroom is empty, the students more than an hour away, but David Grubbs sits behind a console in an unassuming Brooklyn College radio laboratory, tinkering with faders and talking about the aesthetics of sound art as if one of his classes already was in session. In this performance space without an audience, he’s dressed…

REVIEW: Jacob Duncan – “The Busker”

Pat Metheny and Charlie Haden’s pristine and bright-eyed collaboration on the 1997 Verve LP Beyond The Missouri Sky (Short Stories) is a decent point of departure for Jacob Duncan’s The Busker, a new solo outing by the Louisvillian alto saxophonist available digitally and on CD. Both recordings have a kind of organic richness, cool complexity…

Welcome To Pittsburgh #1: Broughton’s Rules – “Anechoic Horizon”

In this fine, first edition of Welcome To Pittsburgh, a new, somewhat-irregular Popdose column dictating the independent musical pulse of the Rust Belt’s cultural capital, we find ourselves saddled with a quirky little record bearing an interesting lineage and a sense of composition writ large. The record in question? Broughton’s Rules’ Anechoic Horizon. Released by…

REVIEW: We Only Said – “Boring Pools”

It’s hard to believe We Only Said operates nearly 4,100 miles outside Louisville, once- and always-home of post-rock icons Slint and Rodan. They just sound so downright Louisvillian. But so it goes for the reigning post-rock champions of Rennes, France. The group – whose second full-length, Boring Pools, was released by Les Disques Normal earlier…

PROFILE: Rachel Grimes

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…

PROFILE: David Grubbs of Squirrel Bait

Originally published in Popdose on July 30, 2014 Before Louisville was associated with Palace, though after, I suppose, Hunter S. Thompson chronicled its seedy decadence during the Derby, there was Squirrel Bait, a nascent punk group of area teens churning out intricately layered but surprisingly accessible post-hardcore gems, a group of seemingly-always-do-wells who drew rave reviews,…