Review: High Plains – “Pilot Hill”

High Plains today quietly released a follow-up to Cinderland, its brilliant debut and, hands down, one of last year’s best records. But, before you go all googly-eyed on me, take pause – this is not the group’s second LP proper but, instead, the digital release on Bandcamp of a tour-only cassette. And that’s an important…

REVIEW: The Greatest Hoax – “Expiration Compositions”

Expiration Compositions – the sophomore outing by composer Taylor Jordan, a.k.a. The Greatest Hoax – is a perfectly okay record. The synth work is nuanced and studied and, for the most part, admirable, though I’m unsure if it lives up to its High Art premise about scoring the art of dying. And cellist Mark Bridges,…

PROFILE: High Plains (2017)

For those who haven’t been paying attention, Cinderland — the debut LP from Scott Morgan and Mark Bridges, the duo known as High Plains — is a serious early contender for year-end Top Ten lists. It is elegiac and nuanced stuff, at once dreamy and funereal; the record just ebbs and flows from your turntable…

REVIEW: High Plains – “Cinderland”

Soundscape master Scott Morgan (better known by his working name, Loscil) and the cellist Mark Bridges have birthed and produced, as the duo High Plains, a debut record of trembling, authentic majesty, and critics will be left puzzled with ways to describe the riveting tones and shuddering beauty of their collaboration. It’s just that good: Top 10 year-ending lists…