Review: T-Tops – “Disease” EP

Talk about a punch to the gut. Something is roiling in Pittsburgh and the punk trio T-Tops is most definitely tapped into it. The group’s new EP — Disease, out now on Bandcamp — is a blistering, four-song set, with a rhythm section that pounds itself into your ear-drums and a frontman (guitarist/vocalist Patrick Waters)…

Review: Melvins – “Pinkus Abortion Technician”

Ugh. The new Melvins record, I am sad to report, dear reader, is a bit of a trainwreck. It’s not that Pinkus Abortion Technician, out Friday on Ipecac, lacks ideas. For the first time, the band appears with two bassists and, while the concept is interesting – “It could be an acid-trip metal version of Tortoise!”…

Profile: Mark Deutrom (2018)

Every 10 years, Mark Deutrom goes through some fresh hell. Take 1998, a couple of hells ago. Deutrom was recording his first solo record – the excellent The Silent Treatment, which gets the 20th-anniversary reissue treatment today from Season of Mist – as his first marriage dissolved and he then was kicked out of the…

Review: Mudhoney – “L.i.E.”

I still remember the CD. My Mudhoney collection was fairly impressive in ’93, having dug deep into the band’s Sub Pop soil, but the disc I found at Vintage Vinyl, Jack’s or wherever I was buying records at the time was of special interest: it was a live bootleg. Hearing a band live – or…

Review: Bellringer – “Stumble Bum/Triangular Object”

No matter how much he loathes it, Texan and musical-firebrand Mark Deutrom forever might be inextricably linked with Melvins, the legendary Gods-of-Thunder quartet whose debut he released on Alchemy 30-odd years ago and, more importantly, for whom he played a mean bass during a good chunk of the 1990s. But the Deutrom story did not…

REVIEW: U-Men – S/T

My first exposure to the bizarre genius of U-Men came when I first tracked down a vinyl copy of the scene-setting C/Z Records comp. Deep Six back in the early 90s. I was a budding teenager then and, thanks to Nirvana, discovering what Poneman and Pavitt dubbed, with more than a hint of cynicism, “The…

REVIEW: Primitive Race – “Soul Pretender”

It’s hard not to view Primitive Race’s sophomore outing, Soul Pretender, as the next chapter in Chuck Mosley’s epic comeback story. On the record, out Friday on Metropolis, Mosley is positively radiant, sounding better, sharper and more engaged than he has since the heyday of Faith No More’s Introduce Yourself. After years of being relegated…

REVIEW: Dale Crover – “The Fickle Finger of Fate”

Dale Crover is positively chameleonic – as if any of us would expect anything less – on The Fickle Finger of Fate, his “debut” solo full-length LP, out today on Joyful Noise Recordings. I use the annoying contextual quotes around “debut,” because Crover has been down this road before and we’ve been right alongside. San…

REVIEW: Melvins – “A Walk With Love and Death”

You’ve got to give it to Melvins: these guys keep you on your toes. The trio, now featuring Redd Kross’ Steve McDonald on bass, has a new double-album out today, A Walk With Love and Death, and it is a bizarre and mesmerizing little opus, a collection that is even more disorienting if you’ve been…