Review: Human Impact – S/T

Imagine an orgy scored by rusty industrial equipment blasting New York City noise-rock, something like Unsane, Cop Shoot Cop, or Swans in their wicked primes. It would be a gritty, menacing spectacle — sweaty, filthy, angry sex — and set in some cold-water flat on the Lower East Side or along the Gowanus in a…

Review: Erik Della Penna – “New York Songs”

It’s been a decade since New York City antique-garde duo Kill Henry Sugar – they of “cinematic gravitas,” quoth the Village Voice — released the beautific folk collection Hot Messiah. But, despite the lag in the discography department, Erik Della Penna, the band’s guitarist, has been keeping busy. In 2013, he joined roots act Hazmat…

Video Premiere: The Bipeds – “Dressful of Dreams”

Antique-garde aficionados, take note: The Bipeds has arrived. The Bipeds is a dance-theater company/rock and roll band under the artistic direction of choreographer/dancer Stacy Wolfson and Curtis Eller, the banjo-playing madman at the head of the American Circus. Wolfson and Eller combine the best of both disciplines, blending movement and song in an intoxicating hybrid for the senses. The…

PROFILE: Matt Mehlan (2017)

He’s going it on his own again and it sounds great. Tomorrow, after a decade-plus at the helm of the thought-rock ensemble/b(r)and Skeletons, Matt Mehlan will strike out on his own with the release of a solo record, The Mehlans. The record is alarmingly accessible and totally bizarre – like a fever-dream where you know…

PROFILE: Rachel Grimes (2014)

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…