PROFILE: Black Wine (2017)

Black Wine is dead. Long live Black Wine! Everyone’s favorite New Jersey punk trio played its final show Aug. 13 at Brighton Bar in Long Branch, N.J., bringing to an end a run of calculated chaos chronicled in a stream of engaging records and bombastic live shows. “They felt like one of those bands that…

REVIEW: Kurt Cobain – Montage of Heck: The Home Recordings (Deluxe Edition)

Kurt Cobain’s first solo record – recently released 21 years after his 1994 suicide and paired with a suspect “documentary” film project of revisionist mythmaking and iconography – is a jumbled, scraping-barrel-bottom mess of an affair. It’s not to say that, for die-hard fans, there are not things to like about it. There are moments…

REVIEW: Melvins – “The Bulls And The Bees”/”Electroretard” (Re-issue)

So, here it is: the new Melvins record is actually a duo of Melvins records that already was. It’s interesting to see what the juxtaposition of the two documents, released herein by Ipecac, tells us about the group’s trajectory and “career” pangs. And, oh yeah, of course, full disclosure: it’s worth hearing it if you haven’t, like you…