Profile: Same (2020)

Playing guitar in an indie-rock band in 2020 requires some genre knowledge and a lot of muscle memory, that ability to reproduce the fingers shifting between chords and sentiments without conscious thought.  Jake Stern, who plays guitar and keys and provides backing vocals in the placid Pittsburgh band Same, knows the instinct to rely on…

Review: Pray For Sound – “Waves”

Sorry, I don’t dig on proselytizing. So, okay I’m biased. And when I heard, via advance PR notes, that the quartet Pray For Sound was out to preach (connotation intended) a little bit of happiness and hope with its brand of instrumental post-rock, contrary to many of the genre’s sometimes-sullen standard bearers, I was pretty…

Review: Perch- “No Step”

Call it math rock with more hooks than a tackle box. The new LP from the U.K. quartet Perch — No Step, self-released and out Jan. 12 — exhibits all the shimmering precision and post-punk angularism of a Polvo or a Pell Mell, but does so with a alt-rock band’s alarming attention to earworms. This isn’t…

Review: Big Weather – “The Lightest Darkness”

Well, turns out climate change – for those rational people who agree with the science behind it – might not be all bad, after all. Big Weather, the latest effort from musician/composer/drummer Ryan Rumery, posits itself as an experiental response to “ever-intensifying natural phenomena.” The Colorado-based outfit’s new record, The Lightest Darkness, is an interesting point…

REVIEW: Heron – “You Are Here Now”

To hear some good reverb-drenched post-rock on the radio dial or the event horizon, you can do a heck of a lot worse than Heron, the Pennsylvania quartet that made its debut recently with the engaging and shimmering full-length You Are Here Now. On the record, which they self-released, the band situates itself comfortably near…