Feature: Crafted Sounds Releases “Bridges”

Connor Murray turned 21 on April 13,  but he didn’t celebrate in the usual way. Yes, there were the obligatory drinks at midnight but, instead of just rising reluctantly the next morning with a horrible hangover, the Pitt senior woke up with a new release on his cassette-centric label, Crafted Sounds. Bridges, the appropriately titled…

Review: Various Artists – “Bridges”

What makes Pittsburgh quintessentially Pittsburgh? It’s a good question, one with an urgency the national media’s been mulling for more than a decade (and, in past iterations, for generations) now, and one that Conor Murray implicitly has been asking listeners over three years of unleashing a Pandora’s box of Pittsburgh noise-rock through Crafted Sounds. That…

Review: Aaron Myers-Brooks – “Multilinear Smatterings”

Pittsburgh-based guitarrorist Aaron Myers-Brooks summons up precision-lined metal shredding and keyboard-thrusted polyrhythms on his excellent, new one-man/one-song instrumental single, “Multilinear Smattering,” out last week on Bandcamp. Now, the entire “single” runs less than two minutes but, that, for a descendent of Orthrelm, is more than enough time to make a hell of a racket. Myers-Brooks,…

Review: Same – “Is Midnight”

Pittsburgh alt/indie quartet Same has released the digital-only single “Is Midnight” and the surprising thing about it isn’t its glassy-eyed beauty, but how different it sounds from the more driving refrains of a song like the band’s “Camp Vacation,” which opened 2016’s excellent Weird As Hell EP. The new track, available on Bandcamp, is pure…

Review: Pachyderm – “Verge”

Pachyderm’s turning out to be a tough band to pin down. While the obtuse single the group dropped in January, the aptly titled “I’m Not Happy, I’m Just High,” was epic stuff on the order of The Sea and Cake, the Pittsburgh-based quintet also traffics in a lighter, sometimes alarmingly straight-forward brand of indie-pop, powerful…

Review: The Lampshades – “Astrology”

The Lampshades, a trio of Pittsburgh-by-way-of-Altoona ne’er-do-wells, is nothing if not ambitious. It hasn’t always entirely been this way. Sunshine, its 2005 debut, was more of a catalog of by-the-numbers power-pop than the loose-limbed junk-rock these guys have perfected on records like Arena Punk and Numbskull Nothinghead. Even after a good number of outings, though…

Review: Altar Boy – S/T

Pittsburgh label Crafted Sounds recently Tweeted out the following in response to a request to drink PBR with members of Altar Boy, a group of post-something Pittsburghers releasing their debut EP Friday on said label: “Altar Boy does not have a Twitter but they got a tighttttt EP coming out.” Tighttttt? Now, that’s an understatement….

Video Premiere: The Lampshades – “Civilization and its Discontents”

It starts with a detuned piano and ends with the lonely shaking of maracas, an epic and loose-limbed nugget titled “Civilization and its Discontents.” This is Mid Atlantic junk-rock of the highest priority and it makes an exclusive debut right here, today, on Popdose. The band is The Lampshades, a Pittsburgh trio of the finest…

Review: Painted Eyes – “Demo 2018”

Talk about modesty. The Pittsburgh trio Painted Eyes quietly dropped its debut release, the appropriately titled Demo 2018, on Bandcamp Wednesday, not making a fuss or even providing so much as a cursory biography about the band. And the thing is pretty damn incredible. For punks addicted to Damaged-era Black Flag or even early Bad…

Profile: The Gotobeds (2018)

“It’s always the easiest and least interesting route to have a preconceived notion of what band you want to sound like and then go do that.” Eli Kasan’s riffing again. And I’m listening close for clues. “We were terrible early on ‘cause we wanted to sound like too many things, and weren’t sure which suited…