Review: Rodan – “The Hat Factory ’93”

If Rodan’s Rusty is the butterfly on its ripe-peach-hued cover, the newly released ’93 recordings are the budding chrysalis. And they are something to behold. So, first, a little back-story is necessary. In 1993, then just a year into the quartet’s existence, the young, early-20-nothing members of Louisville post-rock purveyors Rodan entered The Hat Factory…

Review: Christian Frederickson – “Islands of Light”

There’s this piece of ephemera from the days of the Rachel’s ensemble that sticks to the attic of my mind like so much setting rubber cement – let’s call them the scrolls. Far from biblical or Talmudic or scriptural (in a sense of religiosity, at least), they were large sheets of paper on which members…

PROFILE: King G and The J Krew

Twenty five years ago today, the beat was born. It was the sound of young adults from Louisville – a sprawling collection of collaborators, most of them close friends since childhood – surging with ideas, and busting out with a declaration that they intended to live an unfiltered, untethered life of art and music. It…

REVIEW: Calexico – Edge of the Sun

For the latest chapter in the ongoing saga that is la telanovela Calexico — Edge of the Sun, out now on Anti- Records – let us begin at the finale and work our way backward. Album-closer “Follow The River” begins with the most familiar of sounds: Joey Burns’ shuffling acoustic guitar, John Convertino’s careful and inventive percussion,…

PROFILE: Rachel Grimes (2014)

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…