Review: Dylan Carlson – “Conquistador”

I know it’s utterly blasphemous to suggest in underground circles, but my first point of entry when listening to Dylan Carlson’s new “Conquistador,” the title track to a series of brain-melting epics for distorted guitar, was not Herzog’s Aguirre but Neil Young. Not the commercial Young, mind you, or he of the Crosby, Stills &…

REVIEW: Mylets – “Arizona”

Now, that is what the fuck I’m talking about. From the first grungy, then vaguely pixelated, guitar chords of album-opener “Trembling Hands,”Arizona, the second record proper by loop-rock “band” Mylets, just grabs you by the ears and controls you. It will not let go. Unlike last year’s predecessor, Retcon, a hit-and-miss affair that showed some great…

REVIEW: Mylets – “Retcon”

“Ampersand” showed such promise. But we can’t all be Ian Williams. Mylets, the one-man-band pseudonym of guitar-texturist Henry Kohen, aspires to attain the heights of Williams’ pedal-frenzied, signature-shifting genius with groups like Don Caballero and Battles. But Mylets’ debut, Retcon, falls short, plain and simple. Back to “Ampersand,” though. Earlier this year, Kohen’s label, Sargeant…