Review: UBOA – “The Origin of My Depression”

You expect a record titled The Origin of My Depression to be dramatic, even melodramatic. You expect it to be filled with bold pronouncements. You don’t necessarily expect it to move you, to ravage you, like this one does. Xandra Metcalfe, the Australian recording artist who works under the name UBOA, makes riveting and often…

Review: Christian Frederickson – “Islands of Light”

There’s this piece of ephemera from the days of the Rachel’s ensemble that sticks to the attic of my mind like so much setting rubber cement – let’s call them the scrolls. Far from biblical or Talmudic or scriptural (in a sense of religiosity, at least), they were large sheets of paper on which members…

REVIEW: Aaron Myers-Brooks – “Conduits”

Experimental guitarist Aaron Myers-Brooks, on loan from Pittsburgh post-metal outfit Night Vapor, slants toward the “avant” in avant-jazz on Conduits, the third EP he has self-released in the past 14 months. Musical notes seem to trip over their own feet on the three-song recording, where Myers-Brooks’ angular guitar work is pristinely accompanied by piano, bass, synth and prepared…

REVIEW: Heron – “You Are Here Now”

To hear some good reverb-drenched post-rock on the radio dial or the event horizon, you can do a heck of a lot worse than Heron, the Pennsylvania quartet that made its debut recently with the engaging and shimmering full-length You Are Here Now. On the record, which they self-released, the band situates itself comfortably near…