Review: Christian Frederickson – “Islands of Light”

There’s this piece of ephemera from the days of the Rachel’s ensemble that sticks to the attic of my mind like so much setting rubber cement – let’s call them the scrolls. Far from biblical or Talmudic or scriptural (in a sense of religiosity, at least), they were large sheets of paper on which members…

REVIEW: Aaron Myers-Brooks – “Conduits”

Experimental guitarist Aaron Myers-Brooks, on loan from Pittsburgh post-metal outfit Night Vapor, slants toward the “avant” in avant-jazz on Conduits, the third EP he has self-released in the past 14 months. Musical notes seem to trip over their own feet on the three-song recording, where Myers-Brooks’ angular guitar work is pristinely accompanied by piano, bass, synth and prepared…

REVIEW: Heron – “You Are Here Now”

To hear some good reverb-drenched post-rock on the radio dial or the event horizon, you can do a heck of a lot worse than Heron, the Pennsylvania quartet that made its debut recently with the engaging and shimmering full-length You Are Here Now. On the record, which they self-released, the band situates itself comfortably near…