Review: Bill Callahan – “Gold Record”

Whether or not you’ll like Bill Callahan‘s new record – his second in two years – depends, in good part, on your opinion of his voice. Callahan’s bassy growl always has tipped its hand at the timbre of late Leonard Cohen, but over the past few years, the tonal separation between that voice and the overly…

Review: TJO – “Songs for Peacock”

Memory is an illusion, a construction both flimsy and fluctuating that you can’t see with your eyes, much less touch with your hands. We think, as individuals with our own concepts of what is real or true, that we have control of the construction, but more than anything, it exerts control over us. Memory regularly…

Profile: Revival Choir (2019)

Sean Atkins understates things.  His band, Revival Choir, quietly released its debut LP, Finn, in September. Nobody ever shot-gunned out press releases, blitzed social media or even threw a release party. “Some people were like, ‘You gotta build it up. You gotta start a ground-swell,’” says the Pittsburgh singer-songwriter, whose day job involves accounting. “I got…