Feature: Rediscover “The For Carnation”

“Now when I fall to earth, I hear applause/ I love to hear applause,” Brian McMahan sings, suggesting various readings, on “Emp. Man’s Blues,” the slack-jawed bass and brushed snare lulled and sleepy-eyed behind him. “I am the new gods/ You’ve seen my face around the block/ But now I’m here/ My time has come.”…

Review: WiiRMZ – “Faster Cheaper”

The joyfully bombastic quartet WiiRMZ hail from the same city that defined (and arguably invented) post-rock in the 1990s with bands such as Slint and Rodan. And they also come from the state that gave America two well-known right-wing windbags: Senate Majority Leader Mitch McConnell and Tea Party-backed Governor Matt Bevin. But on their sometimes-too-good-to-be-true debut LP, Faster…

Review: Paracute for Gordo – “Best Understood by Children and Animals”

Post-rock boasts a long lineage of outfits driven by glassy guitars. Though birthed from the oft-unpredictable, highly surrounding-soaked likes of Talk Talk’s Laughing Stock, Television’s Marquee Moon or Slint’s Spiderland, much of what has come to define the post-rock genre, be it June of 44’s and Mogwai’s tangled multi-guitar attacks or Godspeed You! Black Emperor’s and Explosions in the…

Review: Pray For Sound – “Waves”

Sorry, I don’t dig on proselytizing. So, okay I’m biased. And when I heard, via advance PR notes, that the quartet Pray For Sound was out to preach (connotation intended) a little bit of happiness and hope with its brand of instrumental post-rock, contrary to many of the genre’s sometimes-sullen standard bearers, I was pretty…

Review: Bonnie “Prince” Billy – “BPB Mix Tape Vol. 5”

Any musician who’s released 25 studio LPs (did I count that right?) must bear a treasure trove of outtakes and demos, amirite? But Will Oldham always has been more than just prolific, just a man who has, y’know, a lot of songs. Since 1993 – the year he released the epic, Slint-assisted Depression blues of…

Review: Meeting With Hans – “Genius Loci”

Multi-instrumentalist Tomas Svoboda is clearly out to toy with listeners’ expectations of recording fidelity. The Czech musician’s third LP as Meeting With Hans – titled Genius Loci, available now on Bandcamp as a digital-only recording – is deceptively lo-fi, offering tracks that cut between occasionally gray recordings of Mogwai-tinged, post-rock anthems and unusually crisp, even…

Review: Rodan – “The Hat Factory ’93”

If Rodan’s Rusty is the butterfly on its ripe-peach-hued cover, the newly released ’93 recordings are the budding chrysalis. And they are something to behold. So, first, a little back-story is necessary. In 1993, then just a year into the quartet’s existence, the young, early-20-nothing members of Louisville post-rock purveyors Rodan entered The Hat Factory…

Review: Sabrina Is Not In This Chat – “Not Recommended For Sensitive Skin”

The winningly minted L.A. experimental trio Sabrina Is Not In This Chat has supercharged, grandiose ambitions. And on its debut full-length LP – Not Recommended For Sensitive Skin, out late last month via Penniback Records – the group largely succeeds in reaching for and attaining them, producing an hour-long body of sometimes-arhythmic, occasionally herky-jerky math-punk…

Review: Graham Costello’s STRATA – “Obelisk”

It’s a calculated and unbelievably addictive kind of descent into madness. Obelisk — the (wait for it) BRILLIANT debut full-length from Scottish sextet Graham Costello’s STRATA, out Feb. 1 – is a tightly wounded knot that finds itself at the intersection of jazz, fusion and math-rock. And it is wondrous to behold. Sounding, at times,…