Review: Meeting With Hans – “Genius Loci”

Multi-instrumentalist Tomas Svoboda is clearly out to toy with listeners’ expectations of recording fidelity. The Czech musician’s third LP as Meeting With Hans – titled Genius Loci, available now on Bandcamp as a digital-only recording – is deceptively lo-fi, offering tracks that cut between occasionally gray recordings of Mogwai-tinged, post-rock anthems and unusually crisp, even…

Review: Rodan – “The Hat Factory ’93”

If Rodan’s Rusty is the butterfly on its ripe-peach-hued cover, the newly released ’93 recordings are the budding chrysalis. And they are something to behold. So, first, a little back-story is necessary. In 1993, then just a year into the quartet’s existence, the young, early-20-nothing members of Louisville post-rock purveyors Rodan entered The Hat Factory…

REVIEW: HC-B – “Rough”

It takes a great record to remind me how awkward it can be — yes yes, like dancing to architecture — to write about really good instrumental rock music. For the moment, the band putting me in said position is HC-B, the record is the group’s latest Hidden Shoal release, Rough, and both are terrific, sometimes bordering on breathtaking….

PROFILE: Rachel Grimes (2014)

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…

REVIEW: Slint – “Spiderland: Remastered”

Steve Albini once infamously offered up “ten fucking stars” in Melody Maker to the swansong LP of a then-unknown Louisville quartet named Slint. Twenty three long years later, much has changed, but those words still resonate and the praise still sounds more than justified. It’s prescient, even. “Spiderland is a majestic album, sublime and strange,…