PROFILE: King G and The J Krew

Twenty five years ago today, the beat was born. It was the sound of young adults from Louisville – a sprawling collection of collaborators, most of them close friends since childhood – surging with ideas, and busting out with a declaration that they intended to live an unfiltered, untethered life of art and music. It…

PROFILE: David Grubbs (2017)

Five days ago, David Grubbs released one of the best records of his storied career and a real contender, especially in avant-indie circles, for Record of the Year. The LP in question? Creep Mission, a collection of eerily emotive, eerily intuitive guitar pieces punctuated with careful interjections from drums, trumpet and electronics. The whole record hangs together and…

REVIEW: David Grubbs – “Creep Mission”

It starts with the guitar and the guitar alone, amplified slightly but not distorted, its complicated figures as crystalline as frosted glass. It advances, carefully, with the occasional pitter-patter of percussion and well-placed interjections of bass, both low in the mix, letting the real star shine. Two minutes in, it climbs a scale, there’s the…

REVIEW: Peter Searcy – “Leave It All Out There”

Sometimes, you want to listen to a straight-forward rock record about broken relationships. And, with Leave It All Out There, singer/songwriter Peter Searcy delivers. The album, out now on Louisville imprint Eastwood Records, presents the listener with seven tried-and-true musical vignettes about the mechanics of ending a romance. It’s not a song cycle, per se,…

Louisville-Born, Brooklyn-Based — PROFILE: David Grubbs (2006)

The classroom is empty, the students more than an hour away, but David Grubbs sits behind a console in an unassuming Brooklyn College radio laboratory, tinkering with faders and talking about the aesthetics of sound art as if one of his classes already was in session. In this performance space without an audience, he’s dressed…

PROFILE: Rachel Grimes

Rachel Grimes knew how to play the piano before she learned to walk. “My dad and grandmother played, so I was always sitting beside them following along, watching and listening in wonder at how they could make that magic,” the composer/pianist told me recently from the home she and her husband, educator Alec Johnson, share…

PROFILE: David Grubbs of Squirrel Bait

Originally published in Popdose on July 30, 2014 Before Louisville was associated with Palace, though after, I suppose, Hunter S. Thompson chronicled its seedy decadence during the Derby, there was Squirrel Bait, a nascent punk group of area teens churning out intricately layered but surprisingly accessible post-hardcore gems, a group of seemingly-always-do-wells who drew rave reviews,…

REVIEW: Slint – “Spiderland: Remastered”

Originally published in Popdose on May 6, 2014 Steve Albini once infamously offered up “ten fucking stars” in Melody Maker to the swansong LP of a then-unknown Louisville quartet named Slint. Twenty three long years later, much has changed, but those words still resonate and the praise still sounds more than justified. It’s prescient, even….