Justin Vellucci’s Year-Ending Top Ten: 2017 Edition

Yeah, yeah, putting the final nail in the coffin of 2017 is a little premature, seeing as there’s still more than 30 days left in the year. But, I’m the music writer compiling this list, so, here you go. It was an interesting year in underground music and, rather than present a conventional Top Ten,…

REVIEW: STNNNG – “Veterans of Pleasure”

STNNNG simply has outdone itself with Veterans of Pleasure, its fifth full-length record, out tomorrow on vinyl, CD and digital platforms via Modern Radio Records. The 11-song collection, the first from the veteran Minneapolis post-punk quintet since 2013’s Empire Inward, cuts and slashes at your ears with edgy pronouncements about sex, death and conspicuous consumption,…

PROFILE: Chris Besinger of STNNNG (2017)

Ladies and gentlemen, STNNNG has reentered the building. After four years of waiting and much, much anticipation, Minnesota’s greatest post-punk band is back with a new record, Veterans of Pleasure. We shot a few questions to the king of the speak-sing delivery, STNNNG vocalist Chris Besinger, to set the record straight on his wicked agenda….

Welcome To Pittsburgh #2: T-Tops – S/T

Hello and thank you for kicking the snow off your feet as you cross the Popdose threshold of Welcome To Pittsburgh, Now Go Home. Thank you, also, for not abandoning us after our first installment with Broughton’s Rules, or after that embarrassing night in East Liberty we had a few past our limit at Kelly’s…

REVIEW: Shellac – “Dude Incredible”

Did you pre-order Shellac’s Dude Incredible yet? And, give it to me straight, are these Touch-and-Go Records legends still in their prime, still sharp as knives and angry as shit enough to take said knives and slash at your ears with them? Well, the legacy of being Steve Albini carries with it, in no small…

PROFILE: Chris Besinger of STNNNG

Let’s try, okay, to be objective for a moment. STNNNG, a Minneapolis art-punk quintet with its heart on its sleeve and a roar in its throat, is the best thing to come out of Minnesota since Todd Trainer. There; eat it up. The band’s debut, Dignified Sissy, which is now in 10th anniversary territory, was…

REVIEW: Slint – “Spiderland: Remastered”

Steve Albini once infamously offered up “ten fucking stars” in Melody Maker to the swansong LP of a then-unknown Louisville quartet named Slint. Twenty three long years later, much has changed, but those words still resonate and the praise still sounds more than justified. It’s prescient, even. “Spiderland is a majestic album, sublime and strange,…