Review: TRVSS – “New Distances”

Looking for noise-rock to cut through the film of dusty ear-drums like a straight razor? Well, TRVSS has your number. The trio cuts through the bullshit with post-hardcore propulsion. Sophomore effort, New Distances, as understatements go, is tightly wound. How TRVSS sounds this in synch is confusing for a band with this short of a resume….

Profile: Steve Albini (2020)

Eight hours each way. That’s how long Tim Midyett and his friends drove to see Big Black play live in Seattle in 1987. Archaeological artifacts place inhabitants in the Missoula, Montana area at the end of the last ice age, about 12,000 years ago. In the 18th and early 19th centuries, Native American tribes like…

Profile: TRVSS (2019)

There are shreds of feedback and, waiting, waiting, waiting, also an air of anticipation as members of Pittsburgh trio TRVSS wait for WRCT DJ Sean Cho to peer through the studio glass and give them the thumbs up to start. Then, after a requisite “Alright, go!” TRVSS erupts over the airwaves and, figuratively, of course,…

Review: The Austerity Program – “Bible Songs 1”

I’m not sure which version of the King James Bible Thad Calabrese and Justin Foley are thumbing through, but I don’t remember the incantation “You motherfuckers!” appearing in the Book of Isaiah. The Biblical interpretations might shoot from the hip a bit (God bless ‘em) but that’s the only thing that’s loose about Bible Songs…

Review: Shellac – “The End of Radio”

Bootlegs of Shellac’s first BBC session with the legendary king-maker John Peel started surfacing fast on the heels of its airing, way, way back in 1994. And it remains readily available on the Internet to the right set of searching fingers. So, why choose to give it an official Touch and Go release? That’s the…

Justin Vellucci’s Year-Ending Top Ten: 2017 Edition

Yeah, yeah, putting the final nail in the coffin of 2017 is a little premature, seeing as there’s still more than 30 days left in the year. But, I’m the music writer compiling this list, so, here you go. It was an interesting year in underground music and, rather than present a conventional Top Ten,…

REVIEW: STNNNG – “Veterans of Pleasure”

STNNNG simply has outdone itself with Veterans of Pleasure, its fifth full-length record, out tomorrow on vinyl, CD and digital platforms via Modern Radio Records. The 11-song collection, the first from the veteran Minneapolis post-punk quintet since 2013’s Empire Inward, cuts and slashes at your ears with edgy pronouncements about sex, death and conspicuous consumption,…

PROFILE: Chris Besinger of STNNNG (2017)

Ladies and gentlemen, STNNNG has reentered the building. After four years of waiting and much, much anticipation, Minnesota’s greatest post-punk band is back with a new record, Veterans of Pleasure. We shot a few questions to the king of the speak-sing delivery, STNNNG vocalist Chris Besinger, to set the record straight on his wicked agenda….

Welcome To Pittsburgh #2: T-Tops – S/T

Hello and thank you for kicking the snow off your feet as you cross the Popdose threshold of Welcome To Pittsburgh, Now Go Home. Thank you, also, for not abandoning us after our first installment with Broughton’s Rules, or after that embarrassing night in East Liberty we had a few past our limit at Kelly’s…

REVIEW: Shellac – “Dude Incredible”

Did you pre-order Shellac’s Dude Incredible yet? And, give it to me straight, are these Touch-and-Go Records legends still in their prime, still sharp as knives and angry as shit enough to take said knives and slash at your ears with them? Well, the legacy of being Steve Albini carries with it, in no small…