Profile: The Gotobeds (2018)

“It’s always the easiest and least interesting route to have a preconceived notion of what band you want to sound like and then go do that.” Eli Kasan’s riffing again. And I’m listening close for clues. “We were terrible early on ‘cause we wanted to sound like too many things, and weren’t sure which suited…

Review: Mudhoney – “L.i.E.”

I still remember the CD. My Mudhoney collection was fairly impressive in ’93, having dug deep into the band’s Sub Pop soil, but the disc I found at Vintage Vinyl, Jack’s or wherever I was buying records at the time was of special interest: it was a live bootleg. Hearing a band live – or…

REVIEW: U-Men – S/T

My first exposure to the bizarre genius of U-Men came when I first tracked down a vinyl copy of the scene-setting C/Z Records comp. Deep Six back in the early 90s. I was a budding teenager then and, thanks to Nirvana, discovering what Poneman and Pavitt dubbed, with more than a hint of cynicism, “The…

REVIEW: Iron & Wine – “Beast Epic”

Much pomp and circumstance has been made about Sam Beam returning in 2017 to the form of his early years.  But while Iron & Wine’s Beast Epic, out today on Sub Pop Records, is certainly a stripped-down affair compared to some of Beam’s Warner Bros. catalog, it is still a highly polished outing, with Beam’s…

Welcome To Pittsburgh #3: The Gotobeds Sign To Sub Pop

Yes, the rumors are true, Mr. and Ms. Column Follower. Local Pittsburgh indie-rock superheroes The Gotobeds have signed to Sub Pop Records. Everyone’s people have dotted the dotted line and announced it to everyone else’s people in much-anticipated press releases shot around the Interwebs a few hours ago in a parlance that used to be…