Review: TJO – “Songs for Peacock”

Memory is an illusion, a construction both flimsy and fluctuating that you can’t see with your eyes, much less touch with your hands. We think, as individuals with our own concepts of what is real or true, that we have control of the construction, but more than anything, it exerts control over us. Memory regularly…

Review: Wet Fruit – S/T

The songs just skitter away in a delightful pop of Roman candles on Wet Fruit’s self-titled, debut LP, out last week on digital and cassette via Seattle’s Halfshell Records, each composition uniquely frenetic and painted with minute detail to texture and tone. But to write off the ascending Portland quartet as some incantation of art-rock…

Review: Rodan – “The Hat Factory ’93”

If Rodan’s Rusty is the butterfly on its ripe-peach-hued cover, the newly released ’93 recordings are the budding chrysalis. And they are something to behold. So, first, a little back-story is necessary. In 1993, then just a year into the quartet’s existence, the young, early-20-nothing members of Louisville post-rock purveyors Rodan entered The Hat Factory…

Review: Ilyas Ahmed – “Closer To Stranger”

How this one flew under the radar is just beyond me. Released Jan. 26 by MIE Music, Ilyas Ahmed’s Closer To Stranger is a hazy-edged dream riffing on the notion of identity that is set at the intersection of singer-songwriter acoustics and avant-garde initiation rites, a bizarrely listenable and sweetly digestible record whose textures will…