Review: Bellringer – “Stumble Bum/Triangular Object”

No matter how much he loathes it, Texan and musical-firebrand Mark Deutrom forever might be inextricably linked with Melvins, the legendary Gods-of-Thunder quartet whose debut he released on Alchemy 30-odd years ago and, more importantly, for whom he played a mean bass during a good chunk of the 1990s. But the Deutrom story did not…

REVIEW: U-Men – S/T

My first exposure to the bizarre genius of U-Men came when I first tracked down a vinyl copy of the scene-setting C/Z Records comp. Deep Six back in the early 90s. I was a budding teenager then and, thanks to Nirvana, discovering what Poneman and Pavitt dubbed, with more than a hint of cynicism, “The…

REVIEW: The Kraken Quartet – “Separate | Migrate”

Conventional time signatures, beware the Kraken! Polyrhythms rule the roost on Separate | Migrate, the new record from Austin’s The Kraken Quartet, self-released by the band this Friday. On songs like “Ox,” that’s a real blessing – the way marimba or vibes jigger and jaunt through a crescendo of sound before landing on their feet…

REVIEW: Sarah Jaffe – “Don’t Disconnect”

There’s a set of lyrics on the new Sarah Jaffe record, out with much anticipation next month, that sums up the whole over-produced and uneven affair. “Most people tell you they’re different / Most people tell you they’re onto something new,” she coos on the third song, “Some People Will Tell You.” “I do what…