Review: Le Petite Mort – “Disco”

The name of the song is “A Piano In The Basement” and, though it closes the 13-track record, it’s the best point where you can enter Disco, the new LP from German trio Le Petite Mort (Little Death) now out on digital devices and vinyl via Cold Press. The song starts with glassy, post-rock guitars…

Review: INUS – “Western Spaghettification”

Cherish this, kids, because records like Western Spaghettification don’t come along often. The trio INUS, whose full-length debut is out Aug. 9 from San Diego’s Three One G, prominently features Bobby Bray, he formerly of The Locust, and you can hear The Locust’s dedication to rapid-fire, herky-jerky time signatures and abrasive polyrhythms in much of…

Review: Deaf Club – “Bright Side of Death”

Justin Pearson’s Twitter profile used to read, appropriately, “I give good headache.” Well, San Diego record label Three One G today released a video online today from Deaf Club — Pearson’s latest super-group blast of hardcore punk – and, while it hints at the glory days of The Locust, it doesn’t just mimeograph them. Yes,…

Review: Daughters – “You Won’t Get What You Want”

Daughters, never a band to play it understated, returns as a beast both transformed and reborn in the Rhode Island quartet’s first release since a pseudo “break-up” around 2009/2010 – You Won’t Get What You Want, out last week via Ipecac. It’s not immediately a satiating bit of consumption but it certainly grows inside you like…

Review: SUZISUZI – “Microphone’s Counter Attack!!”

SUZISUZI likes exclamation points. On Microphone’s Counter Attack, its new 12-track, 20-minute LP out via Pure Evil last month, the title of every song ends with two exclamations. And that’s appropriate, given the bombastic tendencies contained within each track. Now, SUZISUZI – “suzi” means “vein” in Japanese, as in the veins that pop out of…

Review: Dead Cross – S/T EP

Surprise, surprise, indeed. The hardcore-punk super-group Dead Cross dropped an unannounced, four-song EP on the public last week via Ipecac and, for all its distractions, it’s a pretty cool little addendum to last year’s full-length debut of the same name. The record, essentially a 7-inch single with two remixes tagged on, shows how the band…

REVIEW: Dead Cross – S/T

Mike Patton has never fronted a band like this. The Faith No More frontman, known by most of the populace alive in the 80s and 90s for a rap-rock song about masturbation (the epic “Epic”), has been at the helm of some pretty aggressive groups. His time in Fantomas and his EP providing vocals for…

REVIEW: Rolo Tomassi – “Grievances”

My hard drive, in its dying breaths, killed my last review of Rolo Tomassi’s new record, Grievances. Good thing for them. It wasn’t very nice. The U.S. debut by a U.K. band sporting a trope from an American film, Grievances is certainly all right. (The beginning of “The Embers” is crunchy, yeah, yeah.) But that’s about…