Profile: Marc Ribot (2018)

The separation of immigrant children from their parents. The trashing of the Paris Agreement on climate change. The white nationalism. The Mueller investigation. The Tweets. The wall. There’s been no shortage of reasons to hate Donald Trump and his lie-filled House of Whiteness. Marc Ribot’s heard more than a few of them. But what prompted…

Review: Tom Waits – “Alice”/”Blood Money” (Remastered)

Tom Waits never has sounded better, at least in terms of fidelity, than he does on the new, re-mastered versions of Alice and Blood Money – which were released, to much anticipation, on ANTI- Records. There are good reasons for these revelations, of course, and some of them are so obvious they don’t even need…

REVIEW: STNNNG – “Veterans of Pleasure”

STNNNG simply has outdone itself with Veterans of Pleasure, its fifth full-length record, out tomorrow on vinyl, CD and digital platforms via Modern Radio Records. The 11-song collection, the first from the veteran Minneapolis post-punk quintet since 2013’s Empire Inward, cuts and slashes at your ears with edgy pronouncements about sex, death and conspicuous consumption,…

REVIEW: Big Lazy – Don’t Cross Myrtle

Stephen Ulrich and his jazz/rock noir band Big Lazy will take up residency at the renowned Brooklyn joint Barbes starting in a couple short days and there seems like no better reason to take a second glance at the 2014 gem of a record that slipped below our radar here at Popdose, that comeback kid…

REVIEW: Captain Beefheart – “Sun Zoom Spark” Box Set

Experiencing Captain Beefheart always has felt like a bit of an acid trip to me. Shape-shifting, mysterious and occasionally frenzied, Don van Vliet’s gravel-voiced Beefheart persona and his aptly named Magic Band, like painters on bad bread, spread all of the colors of the rainbow and then some across the musical/muse-ical ceiling, then proceed to…