Review: Graham Costello’s STRATA – “Obelisk”

It’s a calculated and unbelievably addictive kind of descent into madness. Obelisk — the (wait for it) BRILLIANT debut full-length from Scottish sextet Graham Costello’s STRATA, out Feb. 1 – is a tightly wounded knot that finds itself at the intersection of jazz, fusion and math-rock. And it is wondrous to behold. Sounding, at times,…

Review: Perch- “No Step”

Call it math rock with more hooks than a tackle box. The new LP from the U.K. quartet Perch — No Step, self-released and out Jan. 12 — exhibits all the shimmering precision and post-punk angularism of a Polvo or a Pell Mell, but does so with a alt-rock band’s alarming attention to earworms. This isn’t…

PROFILE: Chris Besinger of STNNNG (2017)

Ladies and gentlemen, STNNNG has reentered the building. After four years of waiting and much, much anticipation, Minnesota’s greatest post-punk band is back with a new record, Veterans of Pleasure. We shot a few questions to the king of the speak-sing delivery, STNNNG vocalist Chris Besinger, to set the record straight on his wicked agenda….

PROFILE: Chuck Mosley (2017)

Chuck Mosley just can’t stop. Chain-smoking Marlboro Blacks as he sits near the end of an aging sofa, the 80s icon kicks on some rough demos of his latest project, a frontman outing with post-punk band Primitive Race due out this fall. The music cuts angular and jagged, more raw and steel-edged than what you ever would…